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Practice English Speaking&Listening with: Private Practice - The End Of A Beautiful Friendship

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OKAY, ARE YOU READY TO ROLL, MR. HAGEN?

I THINK GOD'S KIND OF PISSED OFF AT ME.

I CRASHED THE CAR.

WELL, LET'S NOT WORRY ABOUT THE CAR.

LET'S JUST WORRY ABOUT GETTING YOU PUT BACK TOGETHER

IN ONE PIECE.

YEAH, BUT... IT'S NOT JUST THE CAR.

I... I SCREWED UP.

WELL, EVERYBODY SCREWS UP. GOD KNOWS THAT.

YOU'RE GONNA BE FINE. HE PUT YOU ON MY TABLE, DIDN'T HE?

HE MUST HAVE SOME IDEA WHAT HE'S DOING.

(monitor beeping rhythmically)

(anesthesia hisses)

(siren wails)

THEY PAGE YOU A LOT?

THEY PAGE ME WHEN A HELICOPTER LANDS AT MY HOSPITAL.

YEAH, BUT IF A HELICOPTER HADN'T LANDED AT YOUR HOSPITAL,

YOU WOULDN'T HAVE FOUND SOME OTHER REASON

TO CALL IT A NIGHT, YOU KNOW?

YOU THINK I FAKED A HELICOPTER LANDING

TO BAIL ON OUR DATE?

NO, NO, BUT--

YOU WANT TO BAIL ON A DATE, YOU FAKE A HEADACHE

NOT A 2-TON FLYING MACHINE THAT CAN BE SEEN

FROM MILES AWAY.

RIGHT, RIGHT. I JUST WANTED TO MAKE SURE.

SHELDON, THE INSECURITY THING?

YOU WANT ME TO STOP THINKING ABOUT COOPER,

STOP ACTING LIKE HIM.

I'LL WAIT.

MAYBE YOU'LL BE DONE IN A FEW MINUTES AND, UH... OKAY.

I NEED HAND AND WRIST FILM, PLEASE.

WHAT HAVE WE GOT? MAYA?

AND DELL. M.V.A.

SHE'S IN LABOR. UH, WE WERE ON OUR WAY HERE,

AND SOME GUY BLEW THROUGH A RED LIGHT.

GOOD LORD.

HER CONTRACTIONS ARE TWO MINUTES APART,

PAIN AT A SEVEN, MAYBE EIGHT.

SIR, YOU NEED TO SIT DOWN.

I'M FINE, OKAY? MAYA'S--OW.

SIT DOWN. HE OKAY?

SO FAR, SOME LACERATIONS, PROBABLY A FRACTURED WRIST.

WE NEED A FETAL DOPPLER, AND WHERE IS RADIOLOGY?

HOW YOU FEELING, SWEETHEART?

I'M OKAY. THE CONTRACTIONS WERE PRETTY BAD,

BUT IT'S MUCH BETTER NOW WITH THE EPIDURAL.

WHAT EPIDURAL? DELL?

(monitor beeping rhythmically)

MAYA... HOW'S THAT FEEL?

WHAT?

I'LL PAGE NEURO SURG.

CALL AMELIA.

SHE DOESN'T WORK HERE.

CALL AMELIA. SAM'S IN THE O.R. NAI'S ON HER WAY.

SHE KNOWS ABOUT THE LABOR, BUT NOTHING ELSE.

ADDISON, DID SHE BREAK--

DELL, SIT DOWN. I NEED A C.T. OF HER SPINE. NOW, PLEASE.

HEY.

(Charlotte) WE DON'T HAVE FILMS YET.

BUT SHE'S GOT SOME DISTAL SENSORY LOSS.

WHAT?

SHE CAN'T FEEL HER LEGS.

SHE FRACTURED HER SPINE?

WE DON'T KNOW WHAT IT MEANS YET.

IT MEANS SHE FRACTURED HER SPINE.

PETE--

CHARLOTTE, YOU ARE SWEATING AND YOU ARE NOT A SWEATY GIRL.

IS MAYA GONNA BE ALL RIGHT?

NAOMI'S GONNA BLOW IN ANY MINUTE

EXPECTING CONTRACTIONS AND HEAVY BREATHING. CAN WE FOCUS ON THAT?

NOW GO. SAM'S GOT A BODY OPEN IN O.R. TWO.

I GOT ANOTHER CARDIAC SURGEON ON HIS WAY, BUT IT'S GONNA TAKE HIM

ABOUT A HALF AN HOUR TO GET HERE.

I GOT IT.

HI.

NOT NOW.

WHAT DO YOU MEAN, "NOT NOW"? I CALLED YOU, I TEXTED YOU.

I TRACKED YOU DOWN. JAN IN RECEPTION SAID

THERE WAS A HELICOPTER HERE, WHICH I CAN'T BELIEVE I MISSED.

BUT I JUST NEED A MOMENT OF YOUR TIME.

I THINK WE SHOULD HAVE DINNER TOMORROW NIGHT--

UH, NO.

SHELDON.

EXCUSE ME.

COOPER--CAN YOU JUST TELL HIM WHAT'S GOING ON?

I'D RATHER NOT, FRANKLY.

WHAT THE HELL?

HEY, NAI, NAOMI.

HEY. MAYA'S IN LABOR.

YEAH.

OH, SHE'S IN LABOR.

OH, AND I'M-- I'M HYPERVENTILATING.

I THINK I'M A LITTLE BIT OF A HYPOCRITE,

BECAUSE I'VE BEEN AGAINST THIS FROM THE GET-GO,

BUT NOW ALL OF A SUDDEN, I AM JUST SIEGED

WITH THE URGE TO JUST, LIKE, KNIT BOOTIES AND COO.

I MEAN, I DON'T EVEN KNIT. SO MAYBE I'M MORE SIEGED

WITH THE URGE TO JUST GO OUT AND BY A BUNCH OF BOOTIES.

NAI, NAOMI--

I THINK THE UNIVERSE IS ACTUALLY GIVING ME

A LITTLE BIT OF A-A BREAK TODAY.

YOU KNOW, GABRIEL IS GIVING WILLIAM THE A.L.S. TREATMENT.

WILLIAM IS TAKING THE A.L.S. TREATMENT.

I J--I JUST FEEL LIKE IT'S MY DAY.

THE UNIVERSE IS GONNA TOLERATE JUST A LITTLE BIT OF HYPOCRISY

FROM ME AND LET ME--

NAOMI, NAOMI. SOMETHING HAS HAPPENED TO MAYA.

(monitor beeping rhythmically)

(whispers) OH, MY GOD.

SHE'S GOT PERIPHERAL ANESTHESIA,

POSSIBLE FRACTURE AT L-2 OR 3.

OKAY. WELL, IS THE CORD TRANSECTED?

I DON'T KNOW.

WHAT ABOUT THE BABY?

I'M GONNA DO A C-SECTION. WE'RE GOING IN NOW.

THE O.R.'s READY.

NAOMI, I AM SO SORRY.

DELL, YOU DIDN'T DO THIS.

MOM, I CAN'T FEEL MY LEGS.

YOU'RE GONNA BE OKAY. YOU'RE GONNA BE OKAY.

MOMMY'S HERE.

WHERE'S DADDY?

HANG IN THERE, MAYA, OKAY? WE'RE GONNA GO HAVE YOUR BABY NOW.

LET'S GO. NOW. LET'S GO.

(man speaks indistinctly)

(instruments scraping)

(suction gurgling)

(woman speaks indistinctly)

HEY. YOU GOT NOTHING BETTER TO DO ON A FRIDAY NIGHT?

I NEED YOU FOR A QUICK CONSULT. CAN YOU STEP OUT FOR A SEC?

IT COULD BE A WHILE.

THIS GUY AVULSED HIS PULMONARY ARTERY,

SMASHED HIS BEEMER, SMASHED HIS RIB CAGE.

HE THINKS GOD'S PISSED OFF AT HIM.

(monitor beeps rhythmically)

THAT'S THE GUY THAT HIT MAYA AND DELL--

ON SAM'S TABLE UNDER SAM'S KNIFE.

I KNOW THAT.

DOES SAM?

WHAT AM I SUPPOSED TO DO?

WE CAN'T DUCT TAPE THE GUY CLOSED.

SAM'S GOTTA KEEP OPERATING TILL MASON GETS HERE.

WELL, YOU GOT A BETTER IDEA?

C-SECTIONS ARE BAD.

I WANTED TO HAVE HIM THE REGULAR WAY.

OH, C-SECTIONS ARE NOT BAD.

THEY ARE FAST AND THEY'RE SAFE.

ADDISON HAS DONE A GAJILLION OF THESE.

SHE COULD DO THIS IN HER SLEEP.

YOU JUST FOCUS ON THE FACT

THAT YOU'RE GONNA SEE YOUR BABY, MAYA.

OKAY. THERE WE GO.

YOU GOT A NICE-LOOKING UTERUS, KID.

EW.

ALL RIGHT. LAP PAD.

(monitor beeping rhythmically)

(monitor beeping erratically)

WHAT HAPPENED?

HER PRESSURE'S DROPPING. OPEN UP HER I.V.

WH-WHY IS HER PRESSURE DROPPING?

I DON'T KNOW. RUN THE FLUIDS WIDE OPEN.

MAYA. MAYA!

B.P.'S DOWN TO 80 OVER 30.

WHAT--WHAT-- WHAT DID YOU?

I TILTED HER UTERUS. I WAS CHECKING THE BABY'S POSITION.

WELL, IS SHE BLEEDING OUT?

I DON'T KN--NAOMI, YOU NEED TO GET OUT OF HERE.

DELL, GET HER OUT OF HERE.

NAOMI--

DO NOT TOUCH ME.

UTERUS MUST HAVE BEEN TAMPONADING

THE RADICULAR ARTERY. I CAN'T MOVE THE BABY

OR SHE'LL BOTTOM OUT.

ADDISON, HER PRESSURE IS DROPPING. YOU'RE LOSING HER.

NAOMI, YOU NEED TO GET OUT OF HERE OR YOU SHUT UP.

THE BABY STAYS IN. WE NEED TO PACK THE WOUND.

(Dell) TACHY AT 140. WE'RE NOT PICKING UP HER PRESSURE.

OKAY, FULL PRESSORS. PULL THE CRASH CART.

MAYA, STAY WITH ME.

BABY, STAY WITH ME. OKAY? YOU STAY WITH ME.

HOW LONG CAN THE BABY STAY IN ONCE--

NOT VERY LONG.

LET'S JUST WAIT AND SEE WHAT AMELIA HAS TO SAY, OKAY?

I ALMOST LOST HER.

I KNOW.

I'M HERE. I'M LATE. I'M LATE. I'M SORRY.

BUT I GOT THE CAMERA, SO SHE CAN START PUSHING.

WHAT? WAS IT A FALSE ALARM?

WHAT?

I WAS JUST GONNA COME FIND YOU.

I, UH, SET UP THE DRIP IN PETE'S OFFICE.

YOU CAN LIE THERE AND STARE AT ALL THOSE JARS,

WONDER WHAT THE HELL HE DOES WITH 'EM.

WE'RE NOT GOING TO DO THE TREATMENT.

YOU'RE GONNA GO TO THE HOSPITAL, AND I'M GOING TO SUN VALLEY.

NAOMI'S DAUGHTER WAS IN A CAR ACCIDENT.

SHE MAY HAVE BROKEN HER BACK.

WHAT?

YOU MOCKED ME FOR HAVING THREE ASSISTANTS,

BUT WHEN YOU HAVE THREE ASSISTANTS,

YOU KNOW WHAT'S GOING ON.

VALERIE'S THE BEST ONE OF THE LOT.

YOU SHOULD USE HER WHEN I'M GONE.

WHAT ARE YOU-- WHAT ARE YOU TALKING ABOUT?

THE TREATMENT WON'T WORK. YOU KNOW THAT.

IT'S TOO LATE.

YOU COULDN'T TELL THAT TO NAOMI?

SHE NEEDED SOMETHING TO HOPE FOR.

WHAT'S IN SUN VALLEY?

A DAUGHTER WHO DOESN'T LIKE ME

AND WHO I DON'T UNDERSTAND.

AND WHAT, YOU'RE JUST GONNA GO THERE TO DIE?

YOU'RE NOT EVEN GONNA SAY GOOD-BYE TO HER?

TELL HER THE--THE DRUGS ARE HELPING.

TELL HER I'M RESTING, THAT SHE SHOULDN'T BOTHER ME.

AND WHEN MAYA'S OUT OF THE WOODS,

TELL HER I LEFT...

AND I LOVE HER.

YOU LOVE HER, TOO, DON'T YOU?

BE A BETTER MAN THAN YOU HAVE BEEN.

(Sheldon) IT'S GONNA BE A LONG NIGHT.

I COULD STOP BY YOUR HOUSE AND PICK UP SOME CLOTHES.

NAH, I GOT SOME CLOTHES BACK IN MY OFFICE.

I JUST HAVEN'T HAD A SECOND TO PUT 'EM ON YET.

THANKS, THOUGH. YOU'RE SWEET.

I'M NOT.

BUT UNDER THE CIRCUMSTANCES, I'M WILLING TO FAKE IT.

I GOTTA--

YEAH.

HI, GUYS.

HEY.

HEY.

HEY, UH, LUCAS IS WITH DANIELLE,

THE SITTER FROM UP THE STREET I TOLD YOU ABOUT WITH THE HAIR.

ANYWAY, SHE'S AT THE HOUSE.

SHE KNOWS IT'S GONNA BE A LONG NIGHT.

OKAY.

I WOULD'VE TOLD YOU EARLIER, BUT WITH ALL THE CONFUSION--

I'M SORRY.

YOU DON'T HAVE TO EXPLAIN ANYTHING TO ME, PETE.

I KINDA DO.

IT'S CO-PARENTING.

THAT'S WHAT WE'RE DOING. I TELL YOU WHERE THE KID IS.

IT'S NOT A HARDSHIP.

WELL, THANK YOU.

I'M GONNA GO WAIT FOR SAM.

SEE RIGHT THERE? FRACTURE AT L-2

AND THEN ANOTHER CHARD OF BONE HERE AT L-3.

THE BABY WAS STABILIZING THE WHOLE AREA,

SO WHEN YOU SHIFTED THE UTERUS, ALL HELL BROKE LOOSE.

SO WHAT ARE OUR OPTIONS?

WELL, NAI, HOW ABOUT YOU GRAB A CUP OF COFFEE,

AND WE CAN TALK ABOUT IT A LITTLE--

JUST ANSWER THE QUESTION.

NAI, I THINK THAT AMELIA WANTS TO BRAINSTORM A LITTLE.

SO IT'S--IT'S EASIER WHEN THE MOTHER'S NOT HERE--

WELL, I-I'M SORRY IF THIS IS DIFFICULT FOR HER.

JUST STOP MANAGING ME. SPIT IT OUT.

OKAY.

IF WE TAKE OUT THE BABY, THE CORD STROKES OUT.

SHE'S PARALYZED FROM THE WAIST DOWN FOR LIFE.

IF I DECOMPRESS THE CORD ANTERIORLY,

WE COULD LOSE THE BABY.

IF I DO A POSTERIOR APPROACH, WE COULD LOSE THE BABY.

IF I TRY TO REPAIR THE ARTERY FIRST, SHE COULD

BLEED OUT ON THE TABLE, AND I KILL THEM BOTH.

DOES ANYBODY HAVE A PREFERENCE?

(indistinct conversations)

THAT GUY'S BLOOD WON'T CLOT FOR LOVE OR MONEY.

THANK YOU.

WALK WITH ME.

FIVE MINUTES WHILE THEY PUT HIM ON THE PUMP,

THEN I WANT TO GET OUT OF HERE,

SEE HOW MAYA'S LABOR'S PROGRESSING.

COME ON. JUST WALK.

OKAY. THANK YOU.

DRINK THIS.

I'M GOOD. YOU KNOW THERE'S TOO MUCH SUGAR IN THAT STUFF.

IT'S LATE AT NIGHT, YOU'VE BEEN OPERATING, JUST--

WHAT IS THIS? YOU SOUND LIKE MY AUNT.

JUST DRINK THE CRAPPY DRINK, SAM.

OKAY, I'M GONNA DRINK IT. WHY ARE YOU BEING SO WEIRD?

MAYA AND DELL WERE IN A CAR ACCIDENT

ON THEIR WAY TO THE HOSPITAL.

MAYA BROKE HER L-2, POSSIBLY L-3.

THEY'RE IN THE I.C.U.

(bottle thuds)

(Sam) HYPOTHERMIA?

YOU LOWER THE BODY TEMPERATURE, YOU DECREASE METABOLIC DEMANDS

AND YOU LIMIT DAMAGE TO THE SPINAL CORD.

GIVES DR. SHEPHERD A LOT MORE TIME TO WORK

AND MAYBE SHE'S GOT A SHOT AT AVOIDING PARALYSIS.

YEAH, BUT THERE'S A BABY INSIDE OF HER. HYPOTHERMIA?

IT WOULD KILL THE BABY.

IT MAY KILL THE BABY.

IT'LL SAVE THE SPINAL CORD.

IT MAY SAVE THE SPINAL CORD.

SO--SO IF-- IF WE SAVE HER CHILD,

THEN WE ENSURE THAT-- THAT SHE'S PARALYZED FOR LIFE,

BUT IF WE KILL THE BABY, THEN--THEN SHE WILL WALK AGAIN?

IS THAT WHAT WE'RE SAYING?

IS THAT WHAT WE'RE SAYING?

LOOK, I'M NOT USUALLY THE GLASS- HALF-FULL GUY IN THE ROOM,

BUT SHE'S NOT GONNA DIE.

I UNDERSTAND THAT'S PROGRESS FROM THE INITIAL DIAGNOSIS.

BUT SHE MAY NEVER WALK AGAIN.

(Gabriel) A CHAIR IS NOT A DEATH SENTENCE.

I MEAN, PEOPLE TOLD ME THAT EVERY DAY, AND AS MUCH AS IT

MADE ME WANT TO SMACK 'EM IN THE FACE, THEY WERE RIGHT.

SAVE HER LEGS. I-I WANT HER TO WALK AGAIN.

(Sam) WAIT. WAIT. WHAT ABOUT THE BABY?

THAT'S A FULL-TERM CHILD THAT SHE'S CARRYING.

I'M AWARE OF THAT.

SHE WANTED THAT CHILD. THAT CHILD IS HERS.

I-I AM AWARE OF THAT, SAM.

YOU HAVE WANTED THIS CHILD GONE SINCE THE MOMENT

IT'S BEEN CONCEIVED--

DON'T YOU--DON'T YOU DARE.

THIS IS YOUR DAUGHTER IN THIS BED!

THE MOMENT IT'S BEEN CONCEIVED! WHAT'S THE DEAL, NAOMI?

OKAY, STOP IT. STOP IT. BOTH OF YOU.

JUST TAKE A BREATH. EVERYONE, JUST...

(ventilator hissing and clicking)

(monitor beeping rhythmically)

DINK.

YOU'RE HER HUSBAND...

THE FATHER OF HER CHILD.

(sighs) I DON'T, UM...

I DON'T KNOW HOW TO...

(exhales) I MEAN, CAN'T YOU SAVE THEM BOTH?

(lowered voice) WHY DIDN'T I THINK OF THAT?

AMELIA.

I'M A KID. THEY DON'T TEACH YOU HOW TO CHOOSE BETWEEN

YOUR PARALYZED WIFE AND YOUR DYING BABY

IN--IN MATHLETES.

I MEAN...

(Pete) IT'S OKAY.

(beeping continues)

(Sam) YOU HEARD THE MAN.

YOU'RE GONNA HAVE TO SAVE 'EM BOTH.

HOW FAST ARE YOU?

I'M FAST, BUT...

THIS IS A LONG SHOT.

IF THE BABY'S TEMP'S NOT DOWN FOR TOO LONG...

(stammers) IT'S NOT IDEAL, BUT...

YOU'D HAVE TO BE PRETTY DAMN FAST.

SAM. I'M SORRY. I NEED YOU.

PATIENT'S READY FOR BYPASS.

OKAY.

(whispers) OKAY.

(indistinct conversations)

SAM.

YEAH.

HEY, I, UH...

I-I JUST WANTED TO SEE IF YOU WERE OKAY.

I MEAN, OBVIOUSLY, YOU'RE NOT OKAY,

BUT I...

I DON'T KNOW WHAT I-- WHAT I WANTED. I...

YEAH.

I OUGHTA HEAD BACK INSIDE.

WAIT.

COULD YOU JUST, UH, STAND HERE WITH ME

FOR A MINUTE?

OKAY.

ALL RIGHT. I GOTTA...

YEAH.

(monitor beeping rhythmically)

(woman speaks indistinctly)

SAM, THEY'RE WAITING TILL MAYA'S CONTRACTIONS STOP

BEFORE THEY START THE HYPOTHERMIA.

PART OF ME CAN'T BELIEVE I'M STUCK IN HERE.

(chuckles)

PART OF ME IS RELIEVED THAT I GOT SOMETHING TO DO WITH MYSELF.

YEAH.

(beeping continues)

(suction gurgles)

HEY, SAM, I--

IS HIS HAND MOVING?

WHAT?

HIS H--HIS HAND IS MOVING.

WHAT ARE YOU TALKING-- WHOA. WHOA. HE'S WAKING UP.

(man) HOLY--

GET THE HAND AWAY FROM THE WOUND.

(Sam) GET ME A LAP.

GET IT AWAY FROM THE WOUND.

PUSH ANOTHER .3 OF ETOMIDATE.

THAT'S WHAT I'M DOING.

UP THE SUX INFUSION.

(man) THERE.

WHAT THE HELL IS GOING ON HERE? WHAT WAS THAT?

WERE YOU FALLING ASLEEP?

BACK OFF. THE GUY'S A DRUNK. HIS BLOOD ALCOHOL WAS .3.

HE'S GOING THROUGH THE ANESTHESIA

LIKE IT'S ICED TEA.

SO THEN... ARE YOU SAYING THAT...

HE'S PLASTERED OUT OF HIS MIND.

HOW DO YOU THINK HE CRASHED HIS CAR?

IS THIS THE GUY THAT HIT MAYA?

SAM...

OF COURSE IT IS.

(monitor beeping erratically)

I SHOULD'VE FIGURED IT OUT MYSELF.

DR. BENNETT, HE'S DROPPING HIS CARDIAC OUTPUT.

YOU'VE GOTTA GET BACK IN THERE.

SAM!

HE ALMOST KILLED MY DAUGHTER AND HER BABY.

PETE, SHE MAY NEVER WALK AGAIN.

(man) HE'S GONNA CRASH, BENNETT.

SAM, IT'S NOT THE SAME GUY.

THE GUY THAT HIT MAYA DIDN'T MAKE IT.

CHARLOTTE WAS TALKING ABOUT IT IN THE WAITING ROOM.

IT'S L.A., RIGHT? CAR ACCIDENT EVERY FOUR MINUTES.

PETE, LOOK AT ME IN MY FACE.

(beeping continues)

ARE YOU LYING?

NO. I SWEAR IT. IT'S NOT THE SAME GUY.

(beeping continues)

BENNETT.

SHAKE IT OFF.

(beeping continues)

(sighs)

UH... SATINSKY.

(beeping continues)

(suction gurgling)

YOU'RE DAMN RIGHT, GOD'S PISSED OFF AT YOU.

(ventilator hissing and clicking)

SHE CALLED DELL.

DELL.

IF I HADN'T TURNED MY BACK ON HER WHEN SHE WAS PREGNANT,

THEN SHE WOULD'VE CALLED ME WHEN SHE WENT INTO LABOR.

SHE WOULD'VE CALLED ME TO DRIVE HER TO THE HOSPITAL,

AND WE WOULDN'T BE STANDING HERE DISCUSSING WHETHER

SHE MIGHT DIE OF HYPOTHERMIA OR MERELY NEVER WALK AGAIN.

(footsteps approach)

I KNOW YOU DIDN'T CRASH THE CAR, DELL.

ALL RIGHT? I KNOW YOU DIDN'T CRASH THE CAR.

I'M GONNA GO GET SOME WATER. DO YOU--DO YOU WANT ANYTHING?

NO. I'M FINE. THANKS.

STOP BEATING YOURSELF UP...

JUST FOR FIVE MINUTES. CAN YOU DO THAT?

(sighs)

OH, GOD. WILLIAM.

WELL, HE'S FINE. DON'T WORRY ABOUT HIM.

UH, DID YOU START THE TREATMENT?

YEP, ALL GOOD.

YEAH, AND ARE YOU CHECKING IN? HOW'S HE TOLERATING IT?

UH, NO NAUSEA, NOTHING. HE'S OFF TO A GOOD START.

OKAY. GOOD. I SHOULD, UM, I SHOULD CALL HIM.

HE'S SLEEPING. LET HIM REST.

WELL, THEN THEY'LL CALL YOU I-IF HE WAKES UP?

YEAH.

(David Gray's "Transformation" playing)

(siren wailing)

♪♪

HEY. WHAT ARE YOU DOING?

WAITING FOR DAMN MASON TO GET HERE

AND TAKE OVER FOR SAM.

(sighs) THE GUY CAN OPERATE,

BUT, BOY, HE DRIVES ABOUT AS FAST AS A DEAD CAT.

THEY DIDN'T START ON MAYA YET, DID THEY?

NO, THEY'RE TRANSFUSING PLATELETS.

MM.

OH, MY HEARTIES

YOU KNOW, SHE CAME TO SEE ME ONCE WHEN SHE WAS LIKE 8,

AND SAM AND NAOMI HAD GIVEN HER THE BIRDS AND THE BEES TALK,

AND SHE DIDN'T BELIEVE THEM.

SHE WANTED TO CHECK WITH A MEDICAL EXPERT.

HMM.

YOU THINK SHE WALKS AGAIN?

TAKE ME BACK

I'M FOCUSED ON, DOES SHE SURVIVE THE PROCEDURE?

♪ ...FROM

TRANSFORMATION

HAS BEGUN

THROWING OFF THE... ♪

YOU NEED TO MARRY ME.

WHAT?

I WANT YOU TO MARRY ME.

COOPER, DON'T BY HYSTERICAL.

I'M NOT. I WAS GONNA DO IT TOMORROW

WITH DINNER AND FLOWERS AND ETTA JAMES, BUT I--

YEAH, I'M SURE YOU WERE.

IF YOU COULD JUST--IF YOU WOULD NOT TALK FOR 30 SECONDS,

THEN I'M GONNA--

THE FACT THAT WE'RE ALL STRUNG OUT

AND EVERYBODY'S HEART'S BEATING A LITTLE TOO FAST

DOES NOT MEAN YOU GET TO START THROWING AROUND WORDS...

TRANSFORMATION

I WAS GONNA DO IT TOMORROW.

BUT, GOD.

I MEAN... A YEAR AGO, VIOLET ALMOST DIED.

AND NOW MAYA...

LIFE IS SCARY AND SHORT.

AND I LOVE YOU.

AND I'VE BEEN STUPID, AND I CAN'T BE STUPID ANYMORE.

AND I CAN'T CARRY THIS RING AROUND ANYMORE.

AND I HAVE TO BE WITH YOU. WE HAVE TO BE TOGETHER.

AND SOMETHING GOOD HAS TO HAPPEN TONIGHT

WITH ALL THIS HORROR EVERYWHERE.

PLEASE.

♪♪

CHARLOTTE KING,

I WANT TO SPEND MY WHOLE DAMN LIFE WITH YOU.

MARRY ME?

♪♪

OKAY. NOW YOU CAN SPEAK.

OH, MY HEARTIES

SERIOUSLY. NOW YOU HAVE TO SAY SOMETHING.

BOLD AS BRASS

ROLL IT OUT LIKE... ♪

HEY.

WE'RE JUST... CIRCLING THE WAGONS.

DO YOU WANT TO COME?

ADDIE, I'VE BEEN HORRIBLE TO YOU.

NAI--

I'VE BEEN HORRIBLE TO MAYA...

NAI, NO--

TO EVERYONE.

DON'T DO THIS NOW. WE'VE ALL BEEN HORRIBLE.

NO, PLEASE... LET ME DO THIS, OKAY?

YOU'RE ABOUT TO OPERATE ON MY BABY.

YOU HAVE TO LET ME DO THIS.

(voice breaking) PLEASE FORGIVE ME.

I FORGIVE YOU.

GOD, THERE'S NOTHING TO FORGIVE.

YOU DIDN'T DO ANYTHING.

YOU DIDN'T SLEEP WITH MY HUSBAND.

HE'S NOT MY HUSBAND...

AND YOU DIDN'T SLEEP WITH HIM.

YOU WERE THINKING ABOUT ME

AND YOU WERE TRYING TO PROTECT ME.

I DON'T KNOW WHY I COULDN'T SEE THAT.

I DON'T KNOW WHAT THE HELL I WAS DOING.

NAI--

PLEASE FORGIVE ME.

I DO.

DO YOU HEAR ME?

I DO.

OKAY.

I LOVE YOU AND I LOVE YOUR DAUGHTER.

I DELIVERED THAT KID.

I WAS THERE WHEN SHE CUT HER FIRST TOOTH.

I RECORDED HER SINGING "WUDOLPH THE WED-NOSE WEINDEER"

BEFORE SHE COULD PRONOUNCE HER R's...

(laughs)

AND I LISTENED TO IT ON MY TAPE DECK

EVERY NIGHT FOR A MONTH.

I WILL TAKE CARE OF THAT GIRL.

OKAY?

♪♪

OKAY.

(inhales deeply) COME ON. LET'S GO.

AND AIN'T THIS REALLY SOMETHING? ♪

WE'RE WALKING

BUT OUR FEET DON'T TOUCH THE FLOOR

OH, THANK YOU. I'M SO SORRY THAT TOOK SO LONG.

HE GOT STUCK IN TRAFFIC.

CHARLOTTE, MY DAUGHTER'S IN I.C.U.

I REALLY DON'T WANT TO HEAR ABOUT TRAFFIC.

HOW FAR'D YOU GET?

UH, VESSEL'S DONE. YOU JUST NEED TO GET HIM OFF BYPASS.

ALL RIGHT, WELL, THANKS FOR HANGING IN THERE

AND OPERATING UNDER THESE CIRCUMSTANCES,

AND ON THIS GUY, NO LESS. YOU'RE A GOOD MAN.

RHODODENDRONS

FOR MY HOUSE

(sighs)

THAT'S THE DRIVER.

WATER LAPPING AT... ♪

SHE LIED TO YOU.

YOU LIED.

TRANSFORMATION

IS COMPLETE

YOU KNEW?

MM, MM

WE SAVE LIVES, SAM.

NO MATTER WHO IT IS,

NO MATTER WHAT THEY'VE DONE, WE SAVE LIVES.

I'M SORRY. IF I THOUGHT THERE WAS ANY--

(grunts)

WHAT ELSE ARE YOU GONNA TAKE AWAY FROM ME?!

WHAT ELSE?!

HEY

MM, MM

HEY

MM

MM

(woman) DR. LANG, CALL EXTENSION 2-2-7-3.

DR. LANG, EXTENSION 2-2-7-3.

OH.

HERE.

YEAH.

YOU WANT ONE?

NO, I'M OKAY.

YOU SURE?

(Dell) I'LL TAKE ONE.

THANKS.

ARE WE ALL JUST WAITING FOR ME TO HAVE A P.T.S.D. FREAK-OUT?

(chuckles) NO.

(Cooper) WHAT?

OF COURSE NOT. WHY WOULD...

OH, WHO AM I KIDDING?

I AM FREAKING OUT.

WE SHOULD ALL BE FREAKING OUT.

I MEAN, A YEAR AGO... A YEAR AGO, I WAS DYING.

AND WE GOT THROUGH THAT. WE GOT ANOTHER YEAR UNDER OUR BELTS.

AND... ONCE AGAIN, HERE WE ARE

IN THE SAME PLACE... WITH SOMEBODY ELSE...

I JUST WANT TO SCREAM TO WHOEVER KEEPS DOING THIS

TO JUST STOP...

STOP BRINGING US HERE WITH ANOTHER ONE OF OUR OWN DYING.

SHE'S NOT DYING.

SHE'S NOT.

ALMOST WORSE BEING THE ONES OUT HERE

WAITING FOR THE NEWS, RIGHT?

YOU KNOW, I-I-I GOTTA BE HONEST.

IT'S ACTUALLY WORSE BEING THE ONE SLICED OPEN

AND BLEEDING ON THE TABLE.

IT'S--

(laughs)

(laughs)

(Pete chuckles)

(laughs)

I'M SORRY. I KNOW IT WAS A BAD DAY FOR YOU, TOO.

IT WAS A REALLY BAD DAY.

ANYWAY, UH...

LET'S NOT TALK ABOUT ANYTHING SO MORBID.

OKAY? I-I HAVE SOMETHING.

THIS WAS SUPPOSED TO BE... FOR, UH...

LUCAS' BIRTHDAY,

BECAUSE I-I WANTED TO DO SOMETHING...

OF COURSE, YEAH.

OKAY, WELL, THIS MIGHT BE BLOWING THE SURPRISE,

BUT, UM... I WANTED TO GET A PICTURE OF YOU AND LUCAS.

SO I SWIPED YOUR CAMERA BECAUSE I WAS GONNA DOWNLOAD ONE.

BUT YOU'RE A SINGLE DAD,

SO ALL THE PICTURES ARE JUST OF LUCAS.

THERE'S NONE OF YOU TWO TOGETHER.

SO I LOOKED AT ALL YOUR PHONES,

AND EVERYBODY HAS AT LEAST ONE PICTURE OF PETE AND LUCAS.

BUT...

(paper rustles)

IF THIS ISN'T THE CRAPPIEST COLLECTION

OF OUT-OF-FOCUS CELL PHONE PICTURES.

I MEAN, LOOK.

LOOK AT THIS.

OH, WOW.

RIGHT?

YEAH, THAT'S BAD.

I MEAN, I CAN'T PUT ANY OF THESE IN A FRAME.

IT'S JUST EMBARRASSING.

OH, WOW. YOU'RE GOOD-LOOKING,

BUT YOU DO NOT PHOTOGRAPH WELL.

OH, I TOOK THIS ONE. IT'S NOT BAD.

IT'S LUCAS AND MY NOSTRILS.

YEAH, WELL, IT'S IN FOCUS.

I KINDA LIKE THIS ONE.

IT LOOKS LIKE HE'S GONNA EAT YOUR FACE.

OR SWAB ME.

THAT KID CAN DROOL. I'M TELLING YOU. LOOK AT THAT.

(laughs)

(speaks indistinctly)

WHAT'S HAPPENING?

SO FAR, SO GOOD.

MAYA'S TEMP IS DOWN. HER PRESSURE'S HOLDING.

BABY LOOKS GOOD ON THE MONITOR.

AMELIA'S ABOUT TO GET STARTED, SO, UH...

I'LL KEEP YOU POSTED.

THANK YOU.

(speaks indistinctly)

(inhales deeply) WELL, IF WE'RE LOOKING

FOR A CHEERIER TOPIC OF CONVERSATION...

YES. YES, WE ARE.

I'M, UM...

GETTING MARRIED.

WHAT?

TO WHOM?

TO CHARLOTTE.

WHAT?

ARE YOU SERIOUS?

YEAH, GOT A RING, POPPED THE QUESTION.

YOU GOT A RING?

YEAH, YOU SAID, "GO GET YOUR GIRL."

I WENT RING SHOPPING.

YOU SAID "GO GET YOUR GIRL"?

WELL, I-I MEANT TAKE HER OUT TO DINNER, NOT MARRY HER.

I WAS TAKING HER TO DINNER.

WELL, I-I-- I'M SORRY, SHELDON.

BUT THEY ARE SORT OF MADE FOR EACH OTHER

IN A TWISTED KIND OF WAY, BUT--BUT FOR DATING--

YOU ARE NOT MARRYING HER.

I KIND OF AM.

COOPER--

I THINK "CONGRATULATIONS" IS WHAT WE'RE TRYING TO SAY, RIGHT?

CONGRATULATIONS?

(Naomi) IT'S FANTASTIC, COOPER.

(Sam) CONGRATULATIONS.

(Violet) WOW. WOW.

JUST SAY IT. SAY THE WORD.

CONGRATULATIONS.

DELL. SHELDON. EVEN YOU, MAN. COME ON. SORRY.

JUST...

(Violet whispers) PETE.

OKAY. MAYBE THAT WAS A LITTLE TOO MUCH TO ASK.

DELL, COME ON. GIVE THE MAN A HUG.

HE'S GETTING HITCHED TO A... DIFFICULT WOMAN.

HEY.

(Naomi) DELL.

DELL?

DELL, WAKE UP, SWEETIE. WAKE UP.

(taps leg)

(Pete) DELL. DELL.

(Naomi) DELL? GUYS, HE'S UNRESPONSIVE.

(Pete speaks indistinctly)

WE HAVE A PATIENT DOWN IN THE O.R. WAITING ROOM.

SEND A CRASH CART.

WE ARE NOT CATCHING A BREAK TODAY.

HEY, GIVE ME SOME MANNITOL.

HE'S BRADYING DOWN. HE'S GOT A BLEED IN HIS HEAD.

THINK HE'S HERNIATING?

YEP. GET ME A TWIST DRILL.

BURR HOLES?

I NEED TO RELIEVE THE PRESSURE.

UM, IS HE GOOD?

WHO ARE YOU?

I'M MARCEL, HIS LIFE PARTNER. IS HE GOOD?

HE'S DONE THIS PLENTY OF TIMES.

MAYBE WE CALL OVER TO THE O.R., S-SEE IF AMELIA CAN STEP OUT?

(Naomi) NO, NO, NO, NO, NO, NO. NO STEPPING OUT. NO.

HIS BRAIN IS EXPLODING.

YEAH, AND MAYA'S SPINE IS FLAPPING IN THE BREEZE.

COULD WE GET THE BACKSEAT DRIVERS OUT OF THE ROOM?

Y'ALL, SHUT UP OR GET OUT.

(drill whirring)

NOBODY TOOK A PICTURE?

NO.

COME ON. THERE WAS A GUY DRILLING A HOLE IN MY HEAD

WITH SIX OF YOU WATCHING. NOBODY PULLED OUT A CELL PHONE?

YOU GONNA MAKE ME SEDATE YOU?

GET SOME SLEEP.

HEY.

(lowered voice) COOPER PROPOSED TO CHARLOTTE.

(whispers) THAT'S CRAZY.

(whispers) I KNOW.

(normal voice) O-OH.

OW.

WHAT "OW"?

NOTHING, JUST A KILLER HEADACHE.

WELL, THEY DRILLED A HOLE IN YOUR HEAD.

HANDS UP...

OKAY.

LIKE THIS. DON'T MOVE.

OKAY.

(groans)

OH, DAMN IT.

WHAT?

IT'S DR. KING. I NEED A VENTRICULOSTOMY SETUP

AND A HEAD C.T.

NO, RIGHT NOW.

(receiver clatters)

CHARLOTTE?

Yeah, there's a bleed on the contralateral side.

The epidural pressure was holding it back.

NOW IT'S ALL OVER THE PLACE.

What does that mean?

It means you gotta crack your patient open.

How much longer you got in here?

I DON'T KNOW. MAYBE AN HOUR.

Think you can do it after?

She's had a long night, Charlotte. Page Steiner.

Steiner's out of town. James is covering. James missed it.

(Amelia) WELL, IT'S AN HONEST MISTAKE.

I MEAN, WITH A BLEED LIKE THAT--

It's Dell.

THE PATIENT'S DELL.

(monitor beeping rhythmically)

I'LL BE OUT AS SOON AS I CAN.

(beeping continues)

THIS IS A CRAP DAY.

(beeping continues)

(Charlotte) IT'S ANOTHER BLEED.

AND IT'S EXPANDING.

BUT WE CAN GET IT.

JUST MEANS WE NEED TO DO SOME MORE DAMAGE TO YOUR SKULL.

AND AMELIA'S ALMOST DONE WITH MAYA,

SO SHE CAN DO THE PROCEDURE.

SAYS SHE'LL GET A KICK OUT OF SEEING YOUR BRAIN.

MEANWHILE, I'M GONNA GET THE MOST ATTRACTIVE

OF OUR NURSES TO COME AND SHAVE YOUR HEAD.

AND YOU CAN WORK THAT BUZZ CUT

FOR A FEW WEEKS UNTIL THAT MOP GROWS BACK.

UM...

BETSEY'S AT HOME WITH A SITTER NAMED ANDREA.

I WANT YOU TO BRING HER HERE.

COME ON, DELL--

VIOLET.

IT'S THE MIDDLE OF THE NIGHT.

(Charlotte) VIOLET...

GET BETSEY.

I'LL GO.

(monitor beeping rhythmically)

(woman speaks indistinctly over p.a.)

(beeping continues)

SO I GOT INTO MEDICAL SCHOOL.

YOU DID?

(chuckles) YEAH.

U.C.L.A. I GOT IN.

(sniffles)

HOW ARE WE DOING, LADIES?

CORD'S DECOMPRESSED. I'M HAVING TROUBLE PLACING THE LAST GRAFT.

WHAT CAN WE DO TO EXPEDITE MATTERS?

(Addison) IS IT THE BABY?

YEAH, BRADYCARDIC.

HOW BAD?

PRETTY BAD.

YOU GOTTA GET OUT.

WOW. YOU ARE JUST FULL OF GOOD IDEAS, AREN'T YOU?

IF THE HEART RATE STAYS THAT LOW MUCH LONGER,

WE'RE GONNA HAVE A DEAD BABY.

YOU MOVE THAT BABY BEFORE I FINISH,

YOU SLICE HER SPINE IN HALF.

AMELIA--

IS THIS SUPPOSED TO BE HELPING? 'CAUSE IT'S NOT.

(monitor beeps erratically)

I KNOW GUINEA PIGS LIKE CARROTS AND--AND CUCUMBERS.

THEY'RE DEFINITELY CRAZY ABOUT THOSE.

YOU CAN GIVE 'EM THOSE, OKAY?

BUT THE PRETZELS JUST AREN'T SO GOOD FOR 'EM.

BUT THAT'S NICE THAT YOU WANTED TO SHARE.

IT SHOWS YOU WERE THINKING ABOUT HIM.

I BET THAT MADE HIM FEEL PRETTY GOOD.

YOU KNOW, YOU'RE A SUPER SPECIAL PERSON, BETSEY.

A LOT OF PEOPLE LOVE YOU.

A LOT OF PEOPLE CARE ABOUT YOU.

I LOVE YOU MORE...

(sighs) YOU KNOW, THERE...

I LOVE YOU SO MUCH,

THERE AREN'T EVEN ENOUGH WORDS TO SAY IT.

A LOT OF PEOPLE LOVE YOU. (clears throat)

AND WHEN YOUR MOM DIED, THAT WAS A REALLY...

BAD THING.

♪♪

AND I GOT HURT TODAY, AND THAT'S BAD, TOO.

AND IF ANYTHING EVER HAPPENED TO ME...

♪♪

(sniffles)

I WANT YOU TO REMEMBER...

THAT WOULD JUST MEAN THAT

ALL THE BAD STUFF THAT'S EVER GONNA HAPPEN TO YOU

ALREADY HAPPENED.

(exhales)

YOU SHOULDN'T BE A SCARED PERSON...

♪♪

OR A SAD PERSON.

YOU SHOULD JUST BE HAPPY,

'CAUSE ALL THE BAD STUFF WILL ALL BE OVER FOR YOU.

♪♪

YOU HAD IT ALL AT ONE TIME. IT'S KIND OF A GOOD DEAL.

♪♪

DO YOU THINK HE LIKES TOMATOES?

(laughs) YEAH.

YEAH, I THINK HE PROBABLY DOES LIKE TOMATOES.

COME HERE. (kisses)

(woman) ♪ DREAMING

ABOUT YOU

(speaking inaudibly)

♪♪

DREAMING

ABOUT YOU

THAT'S ALL

I CAN DO

WHEN I

WANT TO BE

WITH YOU

(speaking inaudibly)

♪♪

(speaking inaudibly)

♪♪

(speaking inaudibly)

♪♪

♪♪

(Royal Wood's "Paradise" playing)

(chuckles)

(laughs)

(sighs)

MY DOVE

YOU CAME TO THE WINDOW

AS A SPARK

YOU LEFT AS A RAVEN

WHO GOES FIRST?

AFTER DARK

(sniffles)

ME. (sniffles)

(crying) I SHOULD GO FIRST.

♪ ...IN YOUR HEART

(inhales deeply)

(sniffles)

(exhales deeply)

♪♪

NOW YOU'RE

TRYING TO BE

A NATIVE IN... ♪

MAYA'S FINE.

HER B.P.'s UP. HER VITALS ARE GOOD.

SHE'S OUT NOW, BUT SHE'S DOING GREAT.

AND WHAT ABOUT THE--

SHE'S STRONG AND SCREAMING.

YOU HAVE A BEAUTIFUL BABY GIRL.

OH.

(Cooper) THAT'S WHAT I'M TALKING ABOUT!

ADDISON MONTGOMERY, LADIES AND GENTLEMEN!

NICE WORK.

♪♪

FOR I'VE... ♪

AMELIA?

HELD

PARADISE

AND LOST

SIGHT OF IT NOW

AND, TIME

DON'T BE A STRANGER

WITH HER, DRAW

FILL IN THE SPACES

SET UP SHOP

I NEED A FIXED

FAST-FORWARD CLAUSE

FOR I'VE... ♪

HELD

PARADISE

(wheelchair motor whirring)

WHAT YOU DOING?

♪ ...SIGHT OF IT NOW

SHE'S SO STRONG.

(sighs)

I DON'T KNOW WHEN THAT HAPPENED.

BUT I'VE STAYED... ♪

DELL SPENT THE WHOLE DAY TAKING CARE OF HER.

PARADISE

NOBODY WORRIED ABOUT HIM.

NO ONE EVEN LOOKED AT HIM.

YOU WANT ME TO EXPLAIN

WHY YOU CAN'T BEAT YOURSELF UP ABOUT THIS?

(sighs deeply) NO, NOT REALLY. NO.

UM... I SHOULD CALL WILLIAM.

CAN YOU SIT DOWN FOR A SEC?

GABRIEL, NO. I'M GONNA CALL WILLIAM,

AND THEN I WANT TO GET BACK IN WITH MAYA.

I WANT YOU TO SIT DOWN FOR A SEC.

GABRIEL--

YOU CAN'T CALL WILLIAM RIGHT NOW.

SIT DOWN.

AND ALL I WANT

(exhales deeply)

IS FOREVER

TILL NOW

(footsteps approach)

♪♪

BETSEY HAS AN AUNT IN PORTLAND.

SHE'S FLYING DOWN TONIGHT.

SHE SHOULD BE HERE IN A COUPLE OF HOURS.

♪♪

SHE'S READY...

VIOLET.

YEAH, I THINK SO.

IF SHE MADE IT THROUGH TONIGHT,

SHE CAN MAKE IT THROUGH A NIGHT WITH LUCAS.

NOT FOR LUCAS. FOR YOU.

PARADISE

IT'S OKAY.

YOU AND I...

WE'LL ALWAYS BE THERE FOR EACH OTHER, ALWAYS.

WE'LL BE FRIENDS. WE WILL.

BUT SHE LOVES YOU. AND YOU LOVE HER.

IT'S OKAY.

♪ ...HELD

PARADISE

AND LOST

SIGHT OF IT NOW

(footsteps approach)

♪♪

THERE'S A BUNCH MORE PAPERWORK

I GOTTA DEAL WITH BEFORE I CAN GET OUTTA HERE.

THAT'S OKAY.

CAN I JUST HANG OUT WHILE YOU, UH, WHILE YOU DO IT?

(sighs)

SO IT TURNED OUT IT WAS KIND OF A CRAPPY DAY...

FOR PROPOSING.

NOT REALLY THE STORY YOU WANT TO TELL

ABOUT HOW WE GOT ENGAGED.

I COULD TAKE IT BACK, UN-PROPOSE.

WE COULD DO THE WHOLE THING AGAIN TOMORROW.

DO IT AGAIN,

OR ARE YOU JUST TRYING TO GET YOURSELF OUT OF THIS MESS?

WOMAN, LOOK AT ME.

♪♪

YOU... ARE EVERYTHING

I NEVER KNEW I WANTED.

I CANNOT LIVE WITHOUT YOU.

(man) ♪ LET'S NOT TAKE ANOTHER CAB

THERE'S A WELCOME WORLD OUTSIDE

LET ME WALK WITH YOU

IF I PROPOSE AGAIN TOMORROW,

WHAT ARE YOU GONNA SAY?

I'M GONNA SAY YES.

(exhales deeply)

(laughs)

LET THE CROWD JUST PUSH ON PAST

WE DON'T HAVE TO GO THAT FAST

WE CAN DISREGARD

EVERY SIGN

DON'T CARE WHAT WE LEAVE BEHIND

WE COULD GET LOST

IN THE CITY

WE COULD FORGET HOW TO MAKE OUR WAY HOME

WE COULD FALL HARD IN THE CITY

WE COULD GET LOST

IS THAT, UH--

THAT IS WHAT IS SUPPOSED TO BE.

THAT'S VERY LEVELHEADED OF YOU.

YEAH. YOU BUYING IT?

NO.

(chuckles)

WE MIGHT LOSE SIGHT OF... ♪

IS THERE SOME GLARINGLY OBVIOUS REASON

WHY I'M EVERYBODY'S SECOND CHOICE?

UGH. YOU AND ME BOTH.

OH, NO.

ANYBODY THAT COULD CHOOSE YOU WOULD.

YOU JUST CAN'T QUITE DECIDE WHAT YOU WANT.

YEAH. WELL, APPARENTLY, I WANT EVERYTHING.

YEAH, YOU DO, AND YOU SHOULD GET EVERYTHING.

YOU'RE JUST SCARED OF WHAT IT WILL MEAN.

AND BEING SCARED--I MEAN, NO ONE LAYS ON THEIR DEATH BED

WISHING THEY HAD LESS-- LESS LOVE--NO ONE.

SO IF YOU LOVE THE GUY, ADDISON, FOR GOD SAKE,

JUST... DON'T LET IT GET AWAY.

DA DA DA DA DO DO DO DO

MMM

WE COULD GET LOST IN THE CITY

WE COULD FORGET

HOW TO MAKE OUR WAY HOME

WE COULD FALL HARD IN THE CITY

WE COULD GET LOST

DO I MAKE YOU HAPPY?

YES.

YEAH.

YOU MAKE ME HAPPY, TOO.

♪♪

♪♪

The Description of Private Practice - The End Of A Beautiful Friendship