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Practice English Speaking&Listening with: Lost - Sundown

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PREVIOUSLY ON "LOST"...

YOU'RE THE SON OF A BITCH WHO SHOT MY KID.

PICK HIM UP. GET HIM TO THE SPRING.

(Hurley) YOU'RE NOT SAVING HIM! YOU'RE DROWNING HIM!

YOUR FRIEND IS DEAD.

JACK!

(weakly) WHAT HAPPENED?

WHAT IS IT YOU WANT?

(cranking)

I DON'T HAVE ANY SECRETS. WHY ARE YOU DOING THIS?

(electricity crackling)

AAH!

(man) YOU HAVE TO GIVE YOUR FRIEND THIS PILL.

WHAT IS IN IT?

POISON.

WHY WOULD YOU PEOPLE WANNA KILL SAYID?

THERE IS A DARKNESS GROWING IN HIM.

AND ONCE IT REACHES HIS HEART, EVERYTHING YOUR FRIEND ONCE WAS

WILL BE GONE.

WHAT ARE YOU HIDING FROM ME?

THE PILL WAS POISON. THEY WANTED ME TO KILL YOU.

(man) THE METER DOESN'T STOP UNTIL YOU GET OUT, PAL.

(bills rustle)

KEEP THE CHANGE.

(sighs)

(rings doorbell)

(footsteps approach)

SAYID.

HELLO, NADIA.

YOU'RE HERE!

WHERE WERE YOU, UNCLE SAYID?

I WAS IN SYDNEY.

WHERE'S SYDNEY?

(man) IN AUSTRALIA.

YOU BRING FLOWERS FOR MY WIFE?

I'LL GIVE THEM TO YOU, IF YOU WANT.

(laughs)

IT'S GOOD TO SEE YOU, SAYID.

IT'S GOOD TO SEE YOU, TOO, BROTHER.

COME.

UNCLE SAYID, WHAT DID YOU BRING US FROM AUSTRALIA?

GO LOOK IN MY BAG. IT'S ON THE COUCH.

(utensil clatters)

(laughs)

IT'S GOOD YOU CAME, SAYID. THEY'VE MISSED YOU.

WE'RE LUCKY HE EVEN SHOWED UP--

THE WORLD TRAVELER OFF ON HIS EXOTIC BUSINESS TRIPS.

TRANSLATING CONTRACTS FOR AN OIL COMPANY

IS HARDLY EXOTIC... AND IT'S PAINFULLY DULL.

THERE'S, UH, VERY LITTLE ADVENTURE

IN THE WORLD OF DRY CLEANING.

(chuckles)

HE'S BEING MODEST. OMER'S JUST OPENED UP A NEW STORE.

(scoffs)

CONGRATULATIONS.

(cell phone rings)

(clears throat)

I THOUGHT WE TALKED ABOUT CELL PHONES AT THE DINNER TABLE.

(ring)

DINNER IS OVER. THIS IS BUSINESS.

(chair scrapes floor, ring)

YES?

(speaking indistinctly)

DID YOU GET MY LETTERS?

YES.

YOU NEVER WROTE BACK.

THESE ARE AWESOME! THANKS!

YOU'RE WELCOME.

MOMMY, WE FOUND A PICTURE OF YOU IN UNCLE SAYID'S BAG.

(door creaks)

I WANT TO TALK TO YOU.

I WANT SOME ANSWERS.

ANSWERS TO WHAT?

LET'S START WITH THAT MACHINE.

YOU HOOKED ME UP TO THIS THING,

YOU STUCK NEEDLES IN ME,

AND YOU CALLED IT A TEST.

(sighs) FOR EVERY MAN, THERE IS A SCALE.

(drops book)

ON ONE SIDE OF THE SCALE, THERE IS GOOD.

ON THE OTHER SIDE--EVIL.

THIS MACHINE TELLS US

HOW THE SCALE IS BALANCED.

AND YOURS...

TIPPED THE WRONG WAY.

AND THAT'S WHY YOU TRIED TO POISON ME?

YES.

I THINK IT WOULD BE BEST IF YOU WERE DEAD.

YOU THINK YOU KNOW ME, BUT YOU DON'T.

I'M A GOOD MAN.

SO IF YOU'RE TRYING TO KILL ME--UHH!

UHH!

(gags) AAH!

(both grunting)

(clattering)

(pottery shatters)

(both continue grunting)

AAH!

UHH!

(panting)

(panting)

GO.

LEAVE THIS PLACE.

NEVER COME BACK.

(clatter)

(panting)

ARE YOU READY?

WHY DOES IT HAVE TO ME BE?

I MEAN, YOU COULD SEND SAWYER OR JIN OR...

DO IT YOURSELF.

IF I COULD DO IT MYSELF,

I WOULDN'T BE ASKING YOU, CLAIRE.

IF I GO IN THERE,

I NEED TO KNOW YOU'LL DO WHAT YOU SAID.

I WANT MY SON BACK.

I ALWAYS DO WHAT I SAY.

ARE YOU GONNA HURT THEM?

ONLY THE ONES WHO WON'T LISTEN.

(crickets chirping)

(floorboard creaks)

AAH!

(lowered voice) IT'S ME.

CALM DOWN.

WHAT ARE YOU DOING?

IT'S 2:30 IN THE MORNING.

SAYID, I'M IN TROUBLE.

WHAT KIND OF TROUBLE?

I BORROWED MONEY TO OPEN THE SECOND STORE.

BUT...

I DIDN'T BORROW IT FROM THE BANK.

I PAID THE LOAN BACK,

BUT THE MAN WHO LENT ME THIS MONEY--

HE SAYS I STILL OWE HIM INTEREST EVERY MONTH...

FOR AS LONG AS I OWN MY BUSINESS.

IF YOU NEED MONEY, I'LL LEND IT TO YOU--

I DON'T NEED MONEY, SAYID.

I NEED YOU TO CONVINCE THESE PEOPLE TO LEAVE ME ALONE.

"CONVINCE" THEM?

SAYID, DON'T FORGET WHO YOU'RE TALKING TO.

I KNOW WHAT YOU DID IN THE WAR.

YOU WERE AN INTERROGATOR FOR THE REPUBLICAN GUARD.

I KNOW WHAT KIND OF MAN YOU ARE.

IF YOU THINK I'M GOING TO HURT SOMEONE

JUST BECAUSE YOU MADE A BAD BUSINESS DECISION--

LOOK, THIS IS NOT ABOUT ME!

OUR LIFE SAVINGS-- IT'S ALL GONE, SAYID. ALL OF IT.

WE COULD LOSE OUR HOME.

PLEASE.

LOOK... I KNOW YOU CARE ABOUT NADIA.

IF YOU CARE ABOUT US-- ABOUT HER...

YOU WILL DO THIS, SAYID.

I'M SORRY.

I'M NOT THAT MAN ANYMORE.

(men speaking indistinctly)

(sighs)

(sighing)

WHAT ARE YOU DOING?

I'M LEAVING.

I'VE BEEN BANISHED.

BANISHED? FOR WHAT?

APPARENTLY, I'M EVIL.

THESE PEOPLE SAY I'M BETTER OFF DEAD...

WHICH IS SURPRISING,

CONSIDERING THEY WERE THE ONES WHO SAVED MY LIFE.

WELL, ACTUALLY, THEY'RE NOT. THEY...

THEY TRIED TO SAVE YOU, BUT...

YOU WERE DEAD, MAN.

FOR TWO HOURS.

TRUST ME, WHEN--WHEN-- WHEN YOU SAT UP,

THEY WERE JUST AS SURPRISED AS THE REST OF US.

SO WHATEVER BROUGHT YOU BACK, IT WASN'T THEM.

(door slams open, creaks)

(man) HOLD IT.

(cocks gun)

STOP! DON'T SHOOT HER!

WHAT ARE YOU DOING HERE?

HE WANTS TO SEE YOU.

(speaks Japanese)

SPEAK ENGLISH.

WHO WANTS TO SEE ME?

YOU KNOW WHO.

IF HE WANTS TO SEE ME, THEN TELL HIM TO COME IN.

NO, HE WANTS YOU TO GO TO HIM.

HE'S WAITING OUTSIDE BEYOND THE OUTER WALL.

I'M NOT A FOOL.

IF I STEP OUTSIDE THIS TEMPLE...

HE'LL KILL ME.

WELL, THEN MAYBE YOU SHOULD SEND SOMEONE HE WON'T KILL.

STOP HER!

(speaking Japanese)

AH, THAT'S GONNA BE A LITTLE DIFFICULT.

WE CAN'T FIND THEM.

COME ON!

COME WITH ME.

I THOUGHT YOU WANTED ME TO LEAVE.

THINGS HAVE CHANGED.

(door creaks)

YOUR FRIENDS-- SHEPHARD AND REYES--

DO YOU KNOW WHERE THEY WENT?

NO, I DON'T.

WHY IS CLAIRE HERE?

AND WHAT WAS SHE TALKING ABOUT?

SHE'S A CONFUSED GIRL,

UNDER THE INFLUENCE OF AN ANGRY MAN.

WHAT MAN?

FOR YEARS,

HE HAS BEEN TRAPPED.

BUT NOW JACOB'S GONE.

HE'S FREE.

(sets down box)

THIS MAN WILL NOT STOP UNTIL HE HAS DESTROYED

EVERY LIVING THING ON THIS ISLAND.

HE IS EVIL INCARNATE.

AND YOU WANT ME TO SPEAK TO HIM?

NO.

I WANT YOU TO KILL HIM.

HE WILL COME TO YOU AS SOMEONE YOU KNOW...

SOMEONE WHO HAS DIED.

AS SOON AS YOU SEE HIM...

(whoosh)

PLUNGE THIS DEEP INTO HIS CHEST.

IF YOU ALLOW HIM TO SPEAK,

IT IS ALREADY TOO LATE.

(blade scrapes)

SINCE I'VE BEEN HERE,

I'VE BEEN DROWNED, BEATEN AND TORTURED AT YOUR HANDS.

WHY WOULD I EVER DO ANYTHING FOR YOU?

YOU SAID THAT THERE IS STILL GOOD IN YOUR SOUL.

THEN PROVE IT.

(boy) HEY, WAIT UP!

HOW LONG ARE YOU STAYING, UNCLE SAYID?

(sighs)

JUST A FEW MORE DAYS.

I HAVE TO GO TO TORONTO...

TO WORK.

WE LIKE IT WHEN YOU'RE HERE.

YEAH, AND MOMMY LIKES IT, TOO.

(vehicle approaching)

OKAY. BE GOOD.

(engine puttering)

(door squeaks)

SAYID!

(woman speaking indistinctly over P.A.)

(Nadia) OMER!

IS MY HUSBAND GOING TO BE ALL RIGHT?

WE'RE TAKING HIM INTO SURGERY NOW.

HE'S SUFFERED A PUNCTURED LUNG AND SOME INTERNAL BLEEDING.

DO YOU KNOW HOW THIS HAPPENED?

E.M.T.s THINK HE WAS MUGGED.

I'LL COME GET YOU AS SOON AS HE'S STABLE.

SAYID! WHERE ARE YOU GOING?

STAY HERE WITH OMER.

(voice breaking) THIS WASN'T A MUGGING, WAS IT?

WHATEVER YOU'RE THINKING OF DOING...

DON'T DO IT.

I DON'T WANT YOU TO.

PLEASE... JUST...

GO HOME.

WAIT FOR THE KIDS.

MAKE THEM FEEL SAFE, SAYID.

(sniffles)

WILL YOU OF THAT?

(mutters indistinctly)

(leaves rustling)

(Kate) HELLO?

SAYID?

HELLO, KATE.

ARE YOU LEAVING?

I AM NOT EXACTLY SURE.

WHAT'D I MISS?

ASK MILES.

(door clanks and squeaks)

(Kate) THANK YOU.

(men speaking indistinctly)

(door creaks)

WOW.

IT'S GOOD TO SEE YOU, TOO, MILES.

SAWYER SENT YOU PACKING, HUH?

I THOUGHT ABOUT GOING AFTER HIM, TOO.

BUT, UM, I KNEW HE'D JUST END UP BERATING ME

UNTIL I TURNED AROUND AND CAME BACK.

THAT PRETTY MUCH WHAT HAPPENED?

(closes canteen)

PRETTY MUCH.

WELL...

WELCOME BACK TO THE CIRCUS.

(zips up backpack)

WHAT'S GOING ON IN HERE?

WELL, LET'S SEE...

OH, THAT AUSTRALIAN CHICK'S BACK.

WAIT. WHAT?

YOU KNOW, THE--THE BLONDE-- ONE THAT HAD THE BABY.

CLAIRE?

RIGHT. CLAIRE.

SHE JUST STROLLED IN HERE A COUPLE HOURS AGO,

ACTING ALL WEIRD.

STILL HOT, THOUGH.

MILES, WHERE IS SHE?

WHERE IS SHE?

(birds squawking, insects buzzing)

(branches rattling)

(growling and rattling)

(rattling and growling grows louder)

(growling stops, leaves rustle)

HELLO, SAYID.

(squish)

(grunts)

(squish)

(groans)

NOW WHY'D YOU GO AND DO THAT?

YOU WANT IT BACK?

TAKE IT. I WON'T BITE.

WHAT ARE YOU?

WELL, SAYID, YOU SEEM TO HAVE SOME IDEA ABOUT THAT,

CONSIDERING THAT YOU STABBED ME IN THE CHEST

WITHOUT EVEN SAYING HELLO.

WHAT DID THEY TELL YOU?

THEY SAID YOU WERE EVIL INCARNATE.

I FEEL SORRY FOR YOU.

(clears throat)

WHY?

DOGEN--THE MAN WHO SENT YOU OUT HERE--

KNEW THAT YOU HAD NO CHANCE OF KILLING ME.

AND HE BELIEVED THAT I WOULD KILL YOU IF YOU TRIED.

AND THIS WASN'T THE FIRST TIME THAT

HE TRIED TO GET SOMEONE ELSE TO DO IT FOR HIM, WAS IT?

NO.

THEN SHAME ON YOU FOR BEING TALKED INTO IT SO EASILY.

AND WHAT IS IT YOU ARE TRYING TO TALK ME INTO?

SORRY?

YOU HAVEN'T KILLED ME.

CLEARLY, THERE'S SOMETHING YOU WANT.

I JUST WANT YOU TO DELIVER A MESSAGE, THAT'S ALL.

THEN WHY DIDN'T YOU JUST HAVE CLAIRE DELIVER IT?

BECAUSE IT WOULD MEAN A LOT MORE COMING FROM YOU.

SAYID, IF YOU'LL DO THIS FOR ME...

WHAT IF I TOLD YOU THAT YOU COULD HAVE ANYTHING YOU WANTED?

WHAT IF I SAID YOU COULD HAVE ANYTHING IN THE ENTIRE WORLD?

I WOULD TELL YOU THAT THE ONLY THING I EVER WANTED

DIED IN MY ARMS.

AND I'LL NEVER SEE IT AGAIN.

BUT WHAT IF YOU COULD?

UH...

WE HAD AN UNFORTUNATE INCIDENT

INVOLVING A BOOMERANG.

(sighs)

MY APOLOGIES.

OH, WHAT TIME DID THE KIDS GO TO BED?

ABOUT TWO HOURS AGO.

AND WHAT DID YOU TELL THEM?

DADDY HAD AN ACCIDENT,

BUT THAT HE'S GOING TO BE FINE.

HE'S STILL RECOVERING FROM SURGERY, BUT...

HE'S AWAKE NOW.

DID HE TELL YOU ABOUT THE LOAN?

LOOK, I HAVE MONEY.

NO.

THIS IS OMER'S RESPONSIBILITY.

HE BROUGHT THIS ON HIMSELF.

WHY DIDN'T YOU WANT TO BE WITH ME?

YOU CARRY MY PICTURE AROUND WITH YOU, SAYID.

IF YOU CARE ABOUT ME,

WHY DID YOU PUSH ME TOWARDS YOUR BROTHER?

FOR THE LAST 12 YEARS,

I'VE BEEN TRYING TO WASH MY HANDS...

OF ALL THE HORRIBLE THINGS I'VE DONE.

I CAN'T BE WITH YOU...

BECAUSE I DON'T DESERVE YOU.

(thunder rumbling)

WHAT HAPPENED?

THERE IS A MAN IN THE JUNGLE...

ABOUT A MILE SOUTH OF US,

BY THE OUTER WALL.

HE SENT ME BACK HERE TO GIVE YOU A MESSAGE.

HE WANTS YOU TO KNOW THAT JACOB IS DEAD.

AND BECAUSE HE'S GONE,

NONE OF YOU HAVE TO STAY HERE ANY LONGER.

YOU'RE FREE.

THE MAN THAT I MET

IS LEAVING THE ISLAND FOREVER.

AND THOSE OF YOU WHO WANT TO GO WITH HIM

SHOULD LEAVE THE TEMPLE AND JOIN HIM.

YOU HAVE UNTIL SUNDOWN TO DECIDE.

WHAT HAPPENS AT SUNDOWN IF WE STAY?

YOU DIE.

HEY!

WHEN DID YOU GET BACK? ARE FORD AND KWON WITH YOU?

WHERE IS CLAIRE?

OKAY, I NEED YOU TO TELL ME WHAT I NEED TO KNOW BEFORE I--

I SAID, WHERE IS CLAIRE?

ALL RIGHT. JUST LET GO OF ME, OKAY?

(Claire singing indistinctly)

YOU HAVE TWO MINUTES.

(Claire, voice echoing) ♪ ...FADE AWAY

CATCH A FALLING STAR AND PUT IT IN YOUR POCKET

SAVE IT FOR A RAINY DAY

FOR LOVE MAY COME AND TAP YOU ON THE SHOULDER

SOME STARLESS NIGHT

CLAIRE?

JUST IN... ♪

(chuckles)

CLAIRE, IT'S ME.

KATE?

ARE YOU OKAY?

I-I CAN'T BELIEVE YOU'RE HERE.

DID THEY CAPTURE YOU, TOO?

NO. NO, THEY...

WHY DID THEY PUT YOU DOWN HERE?

WHAT HAPPENED?

THEY HAVE MY SON, KATE. THEY HAVE AARON.

THEY TOOK HIM FROM ME.

NO. NO.

CLAIRE, THEY DON'T HAVE AARON.

I TOOK HIM.

I...

WHAT?

I TOOK HIM OFF THE ISLAND.

YOU WERE GONE, AND WE COULDN'T FIND YOU.

SO...

I RAISED HIM.

AND...

HE IS THE MOST BEAUTIFUL, AMAZING LITTLE BOY.

BUT I CAME BACK HERE TO RESCUE YOU

SO THAT YOU COULD BE WITH HIM,

SO THAT YOU GUYS COULD BE TOGETHER AGAIN.

I'M NOT THE ONE THAT NEEDS TO BE RESCUED, KATE.

(man) TIME'S UP. LET'S GO.

NO! NO! WAIT!

NO! WAIT! WAIT!

YOU WANTED TO SEE HER.

SO LET'S GO.

HE'S COMING, KATE.

HE'S COMING, AND THEY CAN'T STOP HIM!

(man) ALL RIGHT, HURRY!

(indistinct shouting)

(man) EVERYBODY, CALM DOWN! IT'S GOING TO BE OKAY.

NO! NO! WAIT!

HANG ON!

HEY!

HEY, YOU CREATED A PANIC HERE. OUR PEOPLE ARE LEAVING.

I WAS ASKED TO DELIVER A MESSAGE,

AND THAT'S WHAT I DID.

WHAT YOUR PEOPLE DO NOW IS UP TO THEM.

CINDY, JUST WAIT. YOU'RE ALL SAFE HERE.

AS LONG WE STAY IN THE TEMPLE, HE CAN'T TOUCH US.

YOU HEARD HIM. JACOB'S DEAD.

AND IF IT ISN'T SAFE HERE ANYMORE,

WE CAN'T TAKE THAT RISK.

EVERYONE, LISTEN!

THIS IS A BLUFF!

HE CAN'T COME IN! HE CAN'T COME IN!

HEY, WHAT HAPPENED OUT THERE? ONE MINUTE, YOU'RE BANISHED,

THE NEXT YOU'RE TELLING EVERYONE THEY'RE GONNA DIE.

THAT'S THE SUM OF IT.

SO ARE WE GETTING OUT OF HERE OR WHAT?

NOT YET.

(whoosh)

I HAVE TO RETURN THIS.

(vehicle approaching)

(closes door)

GOING TO PICK UP THE KIDS?

(car door opens)

EXCUSE ME?

WHY DON'T YOU GET IN THE CAR?

GET IN, SAYID.

(speaking Arabic)

(utensil clattering))

(crack)

WHY DON'T YOU HAVE A SEAT?

(utensil clatters)

(man) HEY, YOU WANT SOME EGGS?

I CAN, UH...

MAKE WHATEVER YOU WANT-- FRIED, SCRAMBLED.

UH, WE STILL GOT THAT POACHER? WHERE'S THE POACHER?

YOU WANT POACHED? 'CAUSE I COULD MAKE YOU SOME GOOD POACHED EGGS.

NO, THANK YOU.

I MAKE GOOD EGGS.

NO?

ALL RIGHT.

(sizzling)

(clattering)

AH, BUP, BUP, BUP, BUP, BA, BA

MARTIN KEAMY.

SAYID JARRAH, BUT YOU ALREADY KNOW THAT.

UH, THAT, I DO. YEAH.

RIGHT.

(sighs)

SO...

SAYID...

HOW'S YOUR BROTHER DOIN'?

HIS BROTHER GOT MUGGED

RIGHT OUT FRONT OF HIS OWN STORE.

IT WAS JUST... TERRIBLE.

WELL, BUT AT LEAST THIS WAY, YOU KNOW,

YOU'RE STILL AROUND TO TAKE CARE OF HIS FAMILY.

YOU DO WANT TO TAKE CARE OF HIS FAMILY, DON'T YOU?

YES?

YOU KNOW, I CAN SEE THAT YOU'RE A VERY... DIRECT GUY, SAYID,

SO I'M JUST GONNA GET TO THE POINT.

YOUR BROTHER--HE BORROWED SOME MONEY FROM ME,

AND JUST LIKE ANYBODY

WHO BORROWS MONEY OR HAS A LOAN TO PAY,

HE HAS TO MAKE PAYMENTS.

MY BROTHER TOLD ME HE'S PAID YOU EVERYTHING HE OWES,

BUT THAT YOU STILL WANT MORE.

SAYID, THAT'S A LIE. YOU BROTHER DOES OWE ME,

AND SOMEBODY IS GONNA PAY ME THAT MONEY.

DID YOU PUT MY BROTHER IN THE HOSPITAL?

OH, YOU THINK IT WAS ME?

I DIDN'T DO THAT.

(utensil scraping)

YOU KNOW, IT'S A DANGEROUS WORLD, SAYID.

Y-YOU KNOW THAT BECAUSE YOU'RE FROM IRAQ.

YOU NEVER KNOW WHEN SOMEBODY'S JUST GONNA SNEAK UP--

UHH!

UHH!

(body thuds)

WHOA, WHOA, WHOA, WHOA, WHOA.

SAYID...

OKAY, JUST RELAX NOW.

SHUT UP.

OKAY. FINE.

FINE. OKAY, IT'S DONE.

ALL RIGHT?

Y-YOUR BROTHER DOESN'T OWE ME ANYTHING.

THE DEBT'S FORGIVEN, ALL RIGHT?

GOOD? OKAY?

JUST RELAX AND... FORGET ABOUT IT.

I CAN'T.

UHH!

(shell clatters)

(grunting)

(thud)

(loud banging and grunting in distance)

(banging and grunting continue)

(door bangs)

(panting)

(shouting in Korean)

WHO ARE YOU?

NO ENGLISH.

(water gurgling)

(men speaking indistinctly in distance)

YOU LET HIM TALK TO YOU.

I STABBED HIM IN THE CHEST LIKE YOU TOLD ME TO.

THEN I LET HIM TALK TO ME.

(clank)

THAT'S TWICE YOU'VE TRIED TO HAVE SOMEONE ELSE KILL ME.

YOU HAD THE OPPORTUNITY TO DO IT YOURSELF.

WHY DIDN'T YOU?

I WAS A BUSINESSMAN ONCE...

IN OSAKA.

I WORKED AT A BANK.

I WAS GOOD AT MY JOB,

VERY SUCCESSFUL.

AND ONE FRIDAY,

I WAS PROMOTED.

MY ASSOCIATES TOOK ME OUT TO CELEBRATE.

I HAD TOO MUCH TO DRINK.

EVERY FRIDAY...

I PICKED MY SON UP FROM BASEBALL.

HE WAS 12.

THE ACCIDENT WAS VERY BAD.

I SURVIVED.

BUT MY SON...

AND THEN...

IN THE HOSPITAL...

A MAN CAME TO ME...

A MAN I HAD NEVER MET.

AND HE TOLD ME THAT

HE COULD SAVE MY SON'S LIFE,

BUT I WOULD HAVE TO COME HERE TO THIS ISLAND,

WHERE I WOULD HAVE A NEW JOB.

(voice breaks) AND I COULD NEVER SEE MY BOY AGAIN.

WHO WAS THIS MAN?

HIS NAME WAS JACOB.

JACOB DRIVES A HARD BARGAIN.

THE MAN OUTSIDE...

I TAKE IT HE OFFERED YOU A SIMILAR BARGAIN?

YES.

IT IS SUNDOWN.

WILL YOU CHOOSE TO STAY OR GO?

I'D LIKE TO STAY.

(grunting) AAH!

OH, MY GOD!

WHAT HAVE YOU DONE?!

(panting)

DO YOU REALIZE WHAT YOU JUST DID?!

HE WAS THE ONLY THING KEEPING IT OUT!

IDIOT!

YOU JUST LET IT IN!

(blade scrapes)

(whoosh)

UHH!

I KNOW.

(rattling in distance)

(men shouting indistinctly)

(growling)

(branches snapping)

(growling)

(growling and rattling)

WE GOTTA GO NOW.

(shouting indistinctly)

(growling loudly)

AAH!

RUN! RUN!

RUN!

THIS WAY!

(growling and rattling continues)

AAH!

(growling and rattling continues)

THIS WAY! THIS WAY!

I HAVE TO GO GET CLAIRE.

(screaming)

(growling)

(indistinct shouting)

(loud banging)

WHERE ARE SHEPHARD AND REYES AND FORD?

WHO THE HELL ARE YOU?

JUST ANSWER THE QUESTION.

THEY'RE GONE. EVERYONE'S GONE. I'M THE ONLY ONE LEFT.

KATE AND I GOT SEPARATED. LAPIDUS? HOW DID YOU...

WE'LL PLAY CATCH-UP LATER.

YOU WANT TO LIVE, YOU BETTER MOVE YOUR ASS.

WHAT ABOUT JARRAH? IS HE HERE?

YEAH, HE WAS HEADED TO THE POOL ROOM.

I'LL GO GET HIM.

LINUS, WAIT!

ALL RIGHT, THE REST OF YOU, WITH ME. COME ON.

CLAIRE, COME ON! CLAIRE, WE GOTTA GO.

YOU GOTTA GET OUT OF THERE.

NO.

WHAT?!

YOU'LL BE MUCH SAFER HERE.

(loud roaring and rattling)

(rattling and roaring subsides)

SAYID?

COME ON.

I KNOW A WAY OUT OF HERE.

THERE'S STILL TIME.

NOT FOR ME.

WHERE'S YOUR HUSBAND?

WHAT?!

YOUR HUSBAND TOOK OFF YESTERDAY.

JIN WAS HERE? HE'S ALIVE?

LAST I SAW HIM, YEAH.

(growling and rattling continues)

YOU DO HEAR THAT, RIGHT?

YOU GOT A PLAN OR YOU GONNA KEEP STARING AT THE WALL?

(thud)

YES, I HAVE A PLAN.

(door scrapes)

(scrape)

EVERYBODY INSIDE NOW.

(growling and rattling continue)

(Claire's voice, echoing) ♪ CATCH A FALLING STAR

AND PUT IT IN YOUR POCKET

NEVER LET IT FADE AWAY

CATCH A FALLING STAR AND PUT IT IN YOUR POCKET

SAVE IT FOR A RAINY DAY

FOR LOVE MAY COME AND TAP YOU ON YOUR SHOULDER

SOME STARLESS NIGHT

JUST IN CASE YOU WANNA HOLD HER

YOU'LL HAVE A POCKETFUL OF STARLIGHT

(thunder rumbling)

The Description of Lost - Sundown