Practice English Speaking&Listening with: Quantic Dream Masterclass #Ep2 – Quantic Dream goals with Interactive Drama

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Our approach here at Quantic Dream regarding interactive storytelling is we try to create stories that emulates life.

And that's a big statement that's very ambitious to say,

how can we in a video game, an interactive experience,

how can we emulate the complexity of life?

That's really a question we started asking ourselves like 24 years ago,

and we tried to find solutions.

You can see some of them in Detroit: Become Human.

Of course, it's not we never failed to achieve this goal.

We're just trying to go in that direction.

But that's a long road and probably will never exactly make it. But It's our ambition.

Very often, I get this question.

Do you start with the story first, or with the game play first?

The right answer is basically you need to design both at the same time.

You really need to think the story that can be played

and to have an idea for the role and the interactivity you want for the player

that will allow him or her to tell their own story.

And that's something very particular. It's a very special exercise as a writer.

It's a new way of thinking.

But it's very interesting to imagine a story where players will have a place,

they will have room to express themselves. That's the most important thing.

Because what we want to do another day is to tell a story not for the player,

but with the player and that makes a huge difference.

You don't want to create a story that you will just show and that the player will passively watch.

You want them to tell their own story through game play.

That's one of the most important things.

Game play becomes the pen that players will use in order to write their own story.

All branches must be equally good and meaningful. That's a real challenge.

You saw the complexity of the tree structure.

You don't want one path to be very exciting and fun.

And another one to be just boring, you want all of them to be equally good and meaningful.

And believe me, that's a real challenge when you really want a complex tree structure.

Another question I often have is a storytelling versus interactivity.

You cannot tell a story that is really playable.

You cannot have real game play, if you want a story,

I think it's a mistake to oppose these two things.

Actually, I tend to believe that you can have both.

You can have a story that is fully playable,

where you actually make interesting decisions but at the same time.

You are physically involved in what happens.

And we try to go in this direction, game after game at Quantic Dream.

And we get closer and closer to this.

But actually, if you play Detroit: Become human.

There are very few cut scenes.

Most of the time the player is in control,

and it's through game play that he tells his story.

And that's probably the most important thing for us,

because players must play their story.

They're here to do something not to watch it passively.

And we try to have less and less cut scenes,

which means moments where the player will lose control of their character.

We try really to limit this and really let players tell their own story through interactivity.

We try to make everything playable.

That's really a challenge sometimes,

because we often ask ourselves,

is it important for the character to switch on and off the lights a in a room?

Or is it important for the character to decide what he wants to say in a dialogue?

You know all these questions we ask ourselves all the time?

And each time we can make an action playable.

Each time we can give a room to players, we gladly do it.

The Description of Quantic Dream Masterclass #Ep2 – Quantic Dream goals with Interactive Drama