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Practice English Speaking&Listening with: Jerome Grand Hotel

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(crashing)

(Nick) WHAT THE (bleep) WAS THAT?

(Zak) NICK? WHERE ARE YOU?

HE HUNG HIMSELF OFF THAT BIG PIPE

THAT'S RIGHT ABOVE YOUR HEAD.

(Zak) THE MAINTENANCE GUY FROM THIS BUILDING

COMMIT SUICIDE, TOO.

THESE TWO STORIES ARE VERY, VERY SIMILAR.

(Nick) HE'S THE FIRST ONE TO DO THIS?

HE'S THE FIRST ONE TO ATTEMPT THIS.

YOU MIGHT WANT TO MOVE NOW.

(Zak) WHAT'S THAT?

GET OUT OF THE WAY.

(Aaron) MOVE! MOVE!

MY NAME IS ZAK BAGANS.

I NEVER BELIEVED IN GHOSTS

UNTIL I CAME FACE-TO-FACE WITH ONE.

YOU WANTED US. YOU GOT US.

SO I SET OUT ON A QUEST

TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.

GO, GO, GO!

WITH NO BIG CAMERA CREWS FOLLOWING US AROUND,

I AM JOINED ONLY

BY FELLOW INVESTIGATOR NICK GROFF

AND OUR EQUIPMENT TECH AARON GOODWIN.

THE THREE OF US WILL TRAVEL

TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS

WHERE WE WILL SPEND AN ENTIRE NIGHT

BEING LOCKED DOWN FROM DUSK UNTIL DAWN.

YOU HAVE REACHED YOUR FINAL DESTINATION--

HELL.

RAW...

OH! STOP!

EXTREME...

(Aaron) HOLY (bleep)!

(Zak) STOP! (bleep) STOP RUNNING!

THESE ARE OUR GHOST ADVENTURES.

Closed Captions provided by Scripps Networks, LLC.

THE TOWN OF JEROME, ARIZONA,

HAS BEEN NICKNAMED "GHOST CITY"

BECAUSE IT'S SAID THE SPIRITS OUTNUMBER THE RESIDENTS.

ORIGINALLY A MINING TOWN

THAT PRODUCED OVER $1 BILLION IN COPPER, GOLD, AND SILVER,

IT ATTRACTED THE GREEDY AND THE CORRUPT.

THE BIG TOWN NEEDED A HOSPITAL,

MOSTLY TO DEAL WITH THE MINING ACCIDENTS

AND DISEASES LIKE TUBERCULOSIS.

SO IN 1926 THE UNITED VERDE HOSPITAL WAS OPENED.

IT IS ESTIMATED OVER ITS NEARLY 30 YEARS OF OPERATION

ONE PERSON DIED PER DAY

FOR AN ASTOUNDING TOTAL OF ABOUT 9,000 DEATHS.

THEN IN 1994 THE ALTHERR FAMILY REPURPOSED THE LAND

AS THE JEROME GRAND HOTEL,

THE MOST IMPOSING AND HAUNTED STRUCTURE IN THIS PLACE.

(Nick) THIS IS COOL, MAN. IT'S LIKE RIDING IN STYLE.

(Zak) YEAH.

OLD-SCHOOL RIGHT HERE.

RIGHT NOW WE ARE PULLING UP TO THE JEROME GRAND HOTEL,

A PLACE THAT HAS PROBABLY HOUSED

MORE DEATHS PER SQUARE FOOT

THAN ANY LOCATION WE'VE EVER BEEN.

I'VE HEARD 9,000 DEATHS.

9,000-- THAT'S A LOT.

YEAH.

THAT'S A LOT OF TRAPPED ENERGY IN THIS LOCATION RIGHT HERE.

THERE'S BEEN A FEW CASES HERE OF DEATHS

THAT HAVE BEEN VERY SUSPICIOUS...

YEAH.

AND WE'RE HERE TO FIND ANSWERS

NOT ONLY FOR THE GUY WHO CALLED US

BUT ALSO MAYBE TRY AND HELP THE DEAD...

YEP.

WHO ARE UNRESTED,

WHOSE DEATHS MAY HAVE BEEN COVERED UP AND CONCEALED.

THIS HOTEL IS CREEPY.

WHEN YOU WALK IN HERE,

YOU JUST HAVE THAT FEELING AS IF YOU'RE BEING WATCHED.

WE'LL WALK INTO A PLACE. WE'LL CLEAR OUR MIND.

WE'LL LET THE LOCATION REACH OUT.

AND WE WILL TRY AND FEEL THAT ENERGY.

WE'LL TRY AND FEEL THAT HISTORY.

YOU CAN DEFINITELY FEEL SOME KIND OF AURA,

AND YOU CAN DEFINITELY SENSE

THAT THERE'S BEEN NEARLY 9,000 DEATHS THROUGH THESE HALLWAYS.

IT IS A FACT, THOUGH, THAT A LOT OF PEOPLE

DO CHECK OUT OF HERE IN THE MIDDLE OF THE NIGHT, RIGHT?

I WOULD SAY, YEAH.

IT'S A FACT? OKAY.

YEAH. NO, IT'S A FACT THAT PEOPLE CHECK OUT.

CHECK INTO A PLACE LIKE THIS, A BUILDING WITH 9,000 DEATHS.

WHAT'S GOING ON WITH THESE PEOPLE?

THEY'RE NOT COMING DOWN TO THE FRONT DESK

AND TAKING A PEN AND WRITING WORD FOR WORD

A POLICE REPORT WHAT HAPPENED TO THEM.

THAT'S MORE UNTOLD STUFF THAT WE DON'T KNOW ABOUT.

RIGHT.

THAT'S WHY WE'RE HERE...

TO FIGURE IT OUT.

TO CHECK OURSELVES IN THIS HOTEL AND FIND OUT.

RIGHT.

WHATEVER IS SCARING THEM

TO LEAVE IN THE MIDDLE OF THE NIGHT HAS TO HAPPEN TO US.

MM-HMM.

BUT WE CAN'T LEAVE, 'CAUSE WE'RE GONNA BE LOCKED DOWN.

WHENEVER WE DO A LOCKDOWN,

WE LIKE TO REACH OUT INTO THE PARANORMAL COMMUNITY,

TALK WITH YOU GUYS, LEARN FROM THE OTHER PROS,

AND SEE IF YOU GUYS GOT ANY GOOD EVIDENCE.

HAVE YOU GUYS GOTTEN SOME STUFF HERE?

YES, WE DID.

DO YOU HAVE ANYTHING TO SHOW US?

E.V.P.

(distorted voice)

I THINK WE JUST FIGURED OUT WHY PEOPLE LEAVE

AT THE JEROME GRAND HOTEL IN THE MIDDLE OF THE NIGHT.

'CAUSE THEY'RE HEARING THIS.

OH, YEAH.

THAT'S A CREEPY VOICE, GUYS.

WE HAVE ANOTHER ONE CALLED "THAT BASTARD FRANK."

THEY CALLED YOU A BASTARD.

YES, I GET NAME-CALLED ALL THE TIME.

YEAH?

YEAH.

JOIN THE CLUB.

(distorted voice)

"THAT BASTARD." WOW.

YEAH.

OBVIOUSLY YOU'RE GETTING EVIDENCE TO SUPPORT FACT

THAT THERE ARE SOME NEGATIVE STUFF HERE.

BECAUSE THERE'S SO MANY DIFFERENT SPIRITS

IN THIS LOCATION.

JUST LIKE A GOOD MOVIE, YOU TAKE A BUNCH OF PEOPLE

AND PUT THEM OUT IN A NICE, FUN SUMMER CAMP,

AND THERE'S GONNA BE A KILLER AMONGST THEM.

EXACTLY.

JEROME WAS ONCE A PROMINENT MINING TOWN,

AND THE MINING COMPANY ALWAYS WIELDED ITS POWER

AT THE HOSPITAL.

THE HOSPITAL'S MAINTENANCE MAN WAS CLAUDE HARVEY

AND WHAT HAPPENED TO HIM IN 1935

IS ONE OF THE JEROME GRAND'S BIGGEST MYSTERIES.

(Zak) HOLD ON.

WAS THERE A MURDER HERE, CHRIS, THAT YOU'RE NOT TELLING ME?

THIS IS WHERE CLAUDE WAS FOUND KILLED.

OKAY, IS THAT WHY THERE'S A CHALK OUTLINE OVER THERE?

THAT'S WHY YOU'RE LOOKING AT HIS CHALK OUTLINE ON THE FLOOR.

WOW.

(Nick) WHAT HAPPENED TO THE REST OF HIS UPPER TORSO?

WELL.

WHERE'S HIS HEAD?

THAT'S WHAT'S IN QUESTION.

HIS HEAD WAS UNDERNEATH IT.

IT CAME DOWN, AND IT ACTUALLY WAS ON TOP OF HIS NECK...

WOW.

WHEN THEY FOUND HIM.

DID THEY EVER DO AN AUTOPSY?

THEY WERE NOT ALLOWED TO DO ANY X-RAYS OR ANY AUTOPSIES.

WHY?

AND THAT WAS PART OF THE REASON FOR THINKING

THE MINING COMPANY COVERED IT UP

MAYBE TO GET THEMSELVES OUT OF ANY RESPONSIBILITY OR LIABILITY.

OR--OR DID CLAUDE SEE SOMETHING AS CHIEF ENGINEER...

OR...

THAT HE WASN'T SUPPOSED TO SEE?

A LOT OF PEOPLE THOUGHT THAT THERE WAS SOMETHING ELSE

TO THE DEATH OF CLAUDE HARVEY,

THAT MAYBE IT WASN'T AN ACCIDENT.

CLAUDE APPARENTLY WAS FOUND DEAD

BY MEANS OF A "ACCIDENT," RIGHT?

RIGHT.

THEY WERE NOT ALLOWED TO DO AN AUTOPSY.

LADIES AND GENTLEMEN, I THINK WE FOUND OUR MISSION FOR TONIGHT,

AND I THINK I SEE WHY WE WERE CALLED HERE,

'CAUSE WE'RE GONNA TRY TO COMMUNICATE WITH CLAUDE HARVEY.

ZAK, REMEMBER AXE MURDER HOUSE?

(Zak) YEAH. YEAH.

GOT THAT AMAZING E.V.P. THAT CAME THROUGH...

YEAH, WE--

THAT SAYS, "I KILLED SIX KIDS."

(distorted voice)

(Zak) HEY, CLAUDE. WE'RE HERE FOR YOU, BUD.

WE'RE HERE TO HELP YOU

AND EXPOSE ANY TRUTH THAT MAY BE HIDDEN.

A LOT OF PEOPLE SPECULATED IT WASN'T AN ACCIDENT,

AND THAT'S WHY WE WERE CALLED HERE,

TO HELP THIS, TO HELP YOU.

(chains clanking)

RIGHT NOW--WE DON'T WANT YOU TO TRY THIS AT HOME--

WE ARE GOING TO SIMULATE WHAT CLAUDE WOULD HAVE SAW.

(Nick) HE'S THE FIRST ONE TO DO THIS?

HE'S THE FIRST ONE TO ATTEMPT THIS.

UM, IF I LOSE MY HEAD,

JUST, UH, WE GOT A STAPLE GUN OUT IN THE VAN.

SEE IF THAT WORKS.

I'M SELLING IT ON eBay.

OH, GOD. GO.

ALL RIGHT, ZAK.

(groans)

HOLY (bleep).

(Nick) YOU MIGHT WANT TO MOVE NOW.

WHAT'S THAT?

GET OUT OF THE WAY.

(Aaron) MOVE! MOVE!

DUDE.

I COULDN'T SEE, 'CAUSE I WAS LOOKING AT THE MONITOR.

HEY, NICK, THAT WAS SO CLOSE.

THAT WAS WAY TOO CLOSE.

DID YOU THINK IT WAS JUST GONNA STOP

RIGHT ABOVE YOUR HEAD OR SOMETHING?

YEAH, I THOUGHT HE WAS GONNA STOP IT.

I DIDN'T THINK YOU'D REALLY LET ME--LET IT GO ALL THE WAY.

(Zak) HOLY (bleep).

(Nick) YOU MIGHT WANT TO MOVE NOW.

WHAT'S THAT?

GET OUT OF THE WAY.

(Aaron) MOVE! MOVE!

AS THE ELEVATOR GOT CLOSER AND CLOSER,

IT WAS HARD TO JUDGE THE DEPTH THROUGH THE VIEWFINDER,

SO THANK YOU, CHRIS, FOR SAVING MY LIFE.

(Aaron) DUDE, THE CRAZY PART WAS IS WE ALL JUST LIKE PANICKED,

AND THEN WE JUST STOOD THERE,

LIKE, THERE'S NOTHING WE COULD DO.

YOU STOOD THERE. I WAS, LIKE...

MY GOD, DUDE.

OH, MY GOD.

JEEZ. OH, GOD.

THAT WOULD HAVE BEEN A BAD START TO THE LOCKDOWN.

THAT WOULD HAVE BEEN THE MOST RECENT DEATH IN THIS HOSPITAL.

(laughs)

THAT WOULD HAVE BEEN A COOL WAY TO GO, THOUGH.

PEOPLE WOULD FLOCK OVER FROM ALL OVER THE WORLD

TO SEARCH FOR MY GHOST, YOU KNOW.

YOU'RE CRAZY, ZAK.

YEAH, I'VE HEARD THAT BEFORE, CHRIS.

WE JUST FOUND OUT THAT THIS BUILDING RIGHT HERE

IS ANOTHER HOSPITAL BUILDING

IN CONJUNCTION WITH THE JEROME GRAND HOTEL,

AND THERE'S A GUY THAT ACTUALLY WORKS IN THIS BUILDING.

SO WE ARE GOING TO SEE IF HE'S HERE,

IF HE WILL TALK TO US,

AND IF HE WILL LET US INVESTIGATE THIS BUILDING

ON TOP OF THE JEROME GRAND HOTEL.

THIS LOOKS LIKE "HOUSE ON THE HAUNTED HILL."

(Aaron) YEAH.

(machinery whirring)

(Zak) I THINK THAT'S HIM.

LONNIE?

YEAH?

HEY, I'M ZAK.

DO YOU MIND IF WE--CAN WE COME AROUND AND TALK TO YOU?

NO. SURE. GO AHEAD.

HOW LONG HAVE YOU BEEN WORKING HERE?

JUST ABOUT FIVE YEARS.

THAT'S A LONG TIME.

YEAH.

ARE YOU HERE A MAJORITY OF THE TIME BY YOURSELF?

YEAH.

YOU ARE.

YEAH.

ARE YOU COMFORTABLE IN THE BUILDING?

GO AHEAD. BE HONEST. BE HON--I KNOW.

MOST OF THE TIME. NO. NO.

JUST TELL US STRAIGHT UP, MAN, IF THERE'S...

OKAY, DURING THE DAY...

YEAH.

THE RESTROOM IS AT THE OTHER END OF THE BUILDING DOWN A HALL,

AND I HAVE TO GO PAST THE MORGUE...

MM-HMM.

AND THE EMERGENCY ROOM.

I'LL JUST SAY, "EXCUSE ME. JUST GOING TO THE RESTROOM.

EXCUSE ME, JUST GOING TO THE RESTROOM."

IT'S KIND OF HARD TO PEE AFTER YOU CROSS THOSE TWO THINGS,

JUST BE HONEST. (laughs)

YEAH. YEAH, IT'S A LITTLE CREEPY DOWN THERE.

I SEE YOU KEEP THIS DOOR SHUT.

IT--IT SEEMS COMFORTABLE IN HERE. IT'S RENOVATED.

YOU GOT PRETTY GREEN PAINT HERE THAT THE COLOR

IS SUPPOSED TO BE NICE AND WARM FOR THE SOUL.

BUT BEYOND THIS DOOR, IF I'M NOT--

IF I'M ASSUMING CORRECTLY, LEADS INTO THE ENTIRE BUILDING, RIGHT?

YES.

I DON'T VENTURE INTO THE BUILDING TOO OFTEN.

WHY?

IT CREEPS ME OUT.

IT DOES.

YEAH.

I REALLY WANT TO GET BEHIND THIS DOOR.

(laughs)

I FEEL LIKE THE LITTLE KID AT WILLY WONKA'S

WAITING FOR THAT DOOR TO OPEN UP TO THE BIG--

THE CHOCOLATE RIVER AND ALL THAT STUFF IN HERE.

RIGHT.

CAN I?

(Zak) WHY DID YOU MENTION THE WORD "DEMONIC"?

WE HAVE HAD GUESTS CHECK OUT IN THE MIDDLE OF THE NIGHT.

HE HUNG HIMSELF OFF THAT BIG PIPE.

(Lonnie) ABOUT TWO, THREE YEARS AGO HE COMMITTED SUICIDE.

DO YOU KNOW WHAT KIND OF SUICIDE IT WAS?

(gunshot)

IF YOU WANT TO SEE ALL KINDS OF BEHIND-THE-SCENES MATERIAL,

OUR ENCOUNTERS VIDEOS, AND AARON'S VLOGS,

COME VISIT US AT travelchannel.com.

JEROME, ARIZONA, AND THE JEROME GRAND HOTEL

IS FULL OF DARKNESS AND DEATH.

NOW LONNIE ANDERSON,

A FURNITURE MAKER AND THE SOLE OCCUPANT

OF THE FORMER UNITED VERDE HOSPITAL CLUBHOUSE BUILDING,

FEELS THAT THIS PLACE MAY BE JUST AS EERIE.

CAN I?

PLEASE.

OKAY. AFTER YOU.

RIGHT WHEN YOU WALKED THROUGH THAT DOOR,

IT JUST FEELS REALLY HEAVY IN HERE.

I THINK I'M GONNA PULL THIS CLOSED.

WHY ARE YOU CLOSING THE DOOR, LONNIE?

IT KEEPS MY SPACE PURE.

SMART.

THIS IS WHERE THE GENTLEMEN LIVED

THAT WAS THE MAINTENANCE MAN IN THE BUILDING.

DID HE EXPERIENCE A LOT OF STUFF?

A LOT OF STUFF.

DID HE?

RIGHT INSIDE THE ROOM HERE HE SAW SOME GUY WALK RIGHT PAST,

AND HE STUCK HIS HEAD OUT,

AND HE SAW THE GUY WALK RIGHT THROUGH THE DOORWAY.

WAS HIS PERSONALITY EVER, DO YOU THINK, WEIRD?

UM, HE'D BEEN IN A LITTLE BIT OF TROUBLE

AND WAS JUST TRYING TO KEEP TO HIMSELF.

WHERE'S THIS GUY AT NOW?

WELL, HE HAD SOME PROBLEMS.

CAN WE INTERVIEW HIM OR IS HE...

WELL, ABOUT TWO, THREE YEARS AGO

HE COMMITTED SUICIDE.

WOW.

SO I THINK...

SORRY, MAN.

I THINK HE'S STILL FLOATING AROUND.

DO YOU KNOW WHAT KIND OF SUICIDE IT WAS?

(imitates gunshot)

(gunshot)

THE LAST DEATH TO HAPPEN INSIDE THE BUILDING HAPPENED IN 1982.

1982? WHO WAS HE?

THIS GUY'S NAME WAS HOF-- MANILA HOFBAUER.

A LOT OF PEOPLE CALLED HIM HOFF FOR SHORT.

AND HE WAS HIRED BY THE MINING COMPANY--

VANILLA HOFF WAF--

MANILA. MANILA.

MANILA WAFER.

HOF--HOFBAUER.

HOF WHERE?

HOFBAUER. HE WAS A CHARACTER.

WHAT WAS--

HE WAS PROBABLY IN HIS 50s

AND HAD BEEN HIRED AS THE NIGHT WATCHMAN.

AND HE ENDED UP HANGING HIMSELF IN THIS BACK ROOM.

THIS IS WHERE HE LIVED FOR ABOUT A YEAR.

HE HUNG HIMSELF OFF THAT BIG PIPE

THAT'S RIGHT ABOVE YOUR HEAD RIGHT THERE, ZAK.

HE WAS MENTIONING THAT AT NIGHTTIME HE WAS SEEING

A LADY INSIDE THIS BUILDING,

AND IT WAS ABOUT TWO WEEKS AFTER THAT HE WAS FOUND HUNG IN HERE.

WHAT?

SO A LOT OF PEOPLE ASSUME THAT IT WAS

BECAUSE OF WHAT HE WAS SEEING IN THIS BUILDING.

LED HIM TO HIS DEATH.

LED HIM TO HANG HIMSELF IN THIS ROOM.

WE JUST TALKED TO CHRIS WHO TOLD US ABOUT THE MAINTENANCE GUY.

OKAY.

AND THEY FOUND HIM DEAD BY SUICIDE.

I HAVEN'T HEARD THAT STORY.

SO NOW DOWN HERE

YOU HAVE THE MAINTENANCE GUY FROM THIS BUILDING...

YEAH.

COMMIT SUICIDE, TOO.

YEAH.

IS THAT KIND OF WEIRD?

THAT'S A LITTLE WEIRD, YEAH.

I JUST THINK IT'S VERY, VERY WEIRD

HOW THESE TWO STORIES ARE VERY, VERY SIMILAR.

IT'S OBVIOUS THE BIGGEST ELEMENT HERE THAT WE CAN'T IGNORE

IS THE VERY WEIRD COINCIDENTAL STORIES OF THE MAINTENANCE GUYS.

SO WERE THESE SPIRITS HAVING--

DID THEY HAVE AN AFFECT ON THEM TAKING THEIR LIVES?

WEIRD COINCIDENCE? I DON'T THINK SO.

WHY ARE THEY COMMITTING SUICIDE?

WELL, THAT'S WHAT WE'RE HERE TO FIND OUT.

IT CAN DRIVE YOU TO YOUR OWN DEATH, YOUR OWN MISERY.

WE NEED TO FIND OUT IF THAT'S HAPPENING HERE,

AND THAT FIRST STEP IS GETTING LONNIE

AND HAVING HIM INVESTIGATE WITH US,

'CAUSE I'M KIND OF WORRIED ABOUT THIS GUY.

(Nick) ME, TOO.

WILL YOU LOCK DOWN WITH US, DO AN INVESTIGATION WITH US?

I WANT YOU TO BE HERE FOR THIS THING.

YES.

OKAY. AND TAKE PART IN IT.

YES.

WHEN YOU COME TO A VERY HAUNTED PLACE WITH A HAUNTED HISTORY,

YOU CAN BE AROUND THAT ENERGY A LOT.

A COUPLE OF TIMES I'VE BROUGHT SOMETHING HOME,

AND...

WHAT DO YOU MEAN, YOU'VE BROUGHT SOMETHING HOME?

WELL, SOMETHING FOLLOWED ME,

EITHER FROM HERE OR THROUGHOUT THE TOWN.

I'M NOT EXACTLY SURE.

ARE YOU MARRIED OR ANYTHING?

YEAH.

OKAY. YOU KNOW, SOMETIMES SPIRITS CAN DO, LIKE,

A STATE OF OPPRESSION TO YOU,

TO WHERE YOU'RE FEELING THEIR ENERGY,

YOU KNOW WHAT I MEAN?

WELL, THIS HAS ONLY HAPPENED A COUPLE TIMES FOR ME...

UH-HUH.

AND THEN MY WIFE SAID, YOU KNOW,

"LEAVE--LEAVE UP AT THE SHOP,

"YOU KNOW, IN THE BUILDING, WHAT'S THERE.

DON'T BRING IT HOME."

WHAT DOES SHE THINK ABOUT YOU WORKING HERE?

DOES SHE LIKE IT?

AS LONG AS I STAY IN MY SHOP, SHE'S OKAY WITH IT.

UH-HUH.

IS SHE GONNA BE OKAY WITH YOU DOING AN INVESTIGATION WITH US?

OH, YEAH.

ALL RIGHT, RIGHT NOW WE TALKED TO LONNIE.

WE'RE GONNA SEE IF WE CAN TALK TO HIS WIFE BECAUSE WE REALLY

WANT TO GET TO THE BOTTOM AND TRY AND HELP LONNIE.

(doorbell rings)

OOH. HI.

HI.

RENEE?

YEAH.

HI, I'M ZAK.

HI, ZAK.

WE TALKED TO LONNIE EARLIER.

OKAY.

IS LONNIE HERE?

LONNIE?

DID I JUST WALK IN HER HOUSE?

(Aaron laughs) YEAH.

DID YOU INVITE ME IN?

YEAH. YEAH.

OKAY. DID YOU SEE THAT? SORRY.

I JUST INVITED MYSELF IN YOUR HOUSE.

COME ON IN.

OKAY, COOL.

(speaking indistinctly)

I SHOOK YOUR HAND. THAT WAS INDICATION.

GOOD TO SEE YOU AGAIN, LONNIE.

I'M JUST TRYING TO CONNECT THE DOTS HERE

WITH THESE TWO GUYS THAT COMMITTED SUICIDE

AND THEN BOTH TALKING ABOUT

HOW MANY SPIRITS THAT THEY WERE COMMUNICATING WITH.

YOU KNOW THAT IF YOU LIVE IN THIS COMMUNITY,

AT SOME POINT YOU'RE GONNA BE PART OF IT. IT'S JUST--

OF WHAT?

OF THE PARANORMAL EXPERIENCE, WHATEVER... YES.

IT'S JUST A PART OF THIS TOWN.

AND WE'VE HAD A FEW REALLY ODD THINGS HAPPEN EVEN IN THE HOUSE.

WHAT KIND OF STUFF?

THIS USED TO BE A BUTCHER SHOP...

UH-HUH.

AND OCCASIONALLY THE BUTCHER

WILL WALK UP AND DOWN THE HALLWAY.

WE'VE ALSO BEEN UNABLE TO GET DOWNSTAIRS

BECAUSE OF WHATEVER HAS BEEN BLOCKING US.

WHAT DO YOU MEAN, BLOCKING YOU?

YOU JUST COULDN'T GET PAST FROM HERE TO HERE.

YOU JUST COULD NOT PASS.

WOW. IS IT--IS IT MORE OF A DARKER ENTITY?

THAT--THAT'S BEEN A VERY DARK EXPERIENCE.

I'VE ALSO BEEN TRAPPED DOWN HERE WHERE I'VE HAD TO CALL HIM...

MM-HMM.

(Renee) AND SAY, "I CAN'T COME UPSTAIRS.

THEY WON'T LET ME."

MM-HMM. "THEY" WON'T LET YOU.

YEAH.

THERE HAVE BEEN TIMES

WHERE HE HAS INNOCENTLY BROUGHT STUFF WITH HIM,

AND YOU JUST KIND OF-- YOU GOT TO GO BACK OUT.

UH-HUH.

YOU'VE JUST GOT TO GO RETRACE YOUR STEPS,

SO WHATEVER IT IS THAT WAS FOLLOWING HIM

OR HAD ATTACHED ITSELF TO HIM COULDN'T GET THROUGH THE DOOR.

MM-HMM.

YOU JUST HEARD THIS THING SLAM RIGHT INTO THE DOOR.

WE ASKED HIM,

AND IS IT OKAY WITH YOU IF HE DOES AN INVESTIGATION WITH US?

I DON'T...

IN THE BUILDING?

YEAH.

HAVE AT IT. JUST DON'T BRING HIM HOME.

YEAH.

AFTER SPEAKING TO RENEE

AND THE DARK ENERGY OF THESE TWO LOCATIONS,

WE NEEDED SOME POSITIVE ENERGY.

WITH SEDONA AND ITS FAMOUS MYSTICAL VORTICES

JUST A SHORT RIDE FROM JEROME,

LONNIE HOOKED US UP WITH HIS FRIEND, A LOCAL PSYCHIC.

SHE WOULD HELP US VALIDATE

THE CONNECTION WE MADE WITH THE SUICIDES.

(Zak) I'M NEW TO THIS, THESE VORTEXES.

(woman) YES.

IS IT SOMETHING YOU CAN FEEL?

WHAT THEY ARE ARE PLACES WHERE THERE'S SPIRALS OF ENERGY...

MM-HMM.

THAT COME UP FROM THE CENTER OF THE EARTH IN THESE AREAS.

DO THESE VORTEXES HAVE ANYTHING TO DO WITH THE SPIRIT WORLD?

YES, ABSOLUTELY.

THEY CAN?

DO YOU THINK THAT SEDONA BEING SO CLOSE TO JEROME

MAY HAVE SOMETHING TO DO WITH HOW INTENSE

THE SPIRITUAL ACTIVITY IS OVER THERE?

YEAH, THEY'RE VERY CONNECTED.

WOW.

I FEEL LIKE I'M KIND OF FLOATING.

♪♪

(inhales, exhales) IT FEELS FRESH.

(Zak) I CAN JUST FEEL LIKE ALL THAT BAD STRESS AND STUFF

JUST BEING KIND OF, LIKE, JUST SUCKED OUT OF YOU...

IT IS.

YOU KNOW WHAT I MEAN?

IT COMES RIGHT OUT OF YOU.

IT WAS LIKE A SPIRITUAL TRANSFUSION.

HAVE YOU BEEN TO THE LOCATION, THE JEROME GRAND HOTEL...

YES.

OR THE ONE WHERE LONNIE WORKS?

YES.

WHAT DO YOU THINK ABOUT THOSE PLACES?

YOU COULD ACTUALLY FEEL THE ENERGY OF THE SPIRITS

THAT ARE STILL THERE.

DID YOU ENCOUNTER ANYTHING NEGATIVE THERE?

NOT SO MUCH NEGATIVE, MORE SADNESS, MORE, UM, GRIEF...

MM-HMM.

MORE THAT KIND OF HEAVY DEPRESSED KIND OF ENERGY THERE.

MM-HMM.

DID YOU HEAR ABOUT THE GUY, LONNIE'S FRIEND,

THAT COMMITTED SUICIDE?

YES.

DO YOU THINK THERE'S ANY WEIRD COINCIDENTAL RELATIONSHIP

BETWEEN THESE TWO MAINTENANCE GUYS

WORKING AT THOSE BUILDINGS BOTH COMMITTING SUICIDE,

BOTH BEFORE THEY DID THAT

HAVING COMMUNICATING WITH THE SPIRITS THERE?

BEING IN THE BUILDINGS LIKE THEY WERE DOING MAINTENANCE,

THEY WERE AROUND THAT ENERGY

MORE THAN MOST PEOPLE WOULD BE AROUND IT.

IT STARTED CONSUMING THEM.

MM-HMM.

AND YOU THINK THAT MAY BE ONE OF THE REASONS THAT--

THAT GOT TO THEM?

I ABSOLUTELY THINK IT'S THE REASON.

YOU DO.

YEAH, 'CAUSE THEY DIDN'T KNOW HOW TO CLEAR THEMSELVES

AND RELEASE IT.

(Zak) WE CAME HERE WITH A PURPOSE...

MM-HMM.

AND THAT PURPOSE WAS TO PREPARE OURSELVES

FOR A, I THINK, A VERY INTENSE INVESTIGATION

THAT WE HAVE COMING JUST ON THE OTHER SIDE OF THIS VALLEY.

JUST ANOTHER DAY ON THE JOB FOR US.

(Zak laughs) YEAH.

(Aaron) I KNOW.

"GHOST ADVENTURES" CREW, HERE WE GO.

WELCOME TO OUR WORLD RIGHT, NICK?

WELCOME TO OUR WORLD. TIME TO ROCK 'N' ROLL.

WHOA.

WHAT IS THAT?

(Lonnie) WHAT WAS THAT?

COME HERE.

(Nick) IT GOT COLD. I FEEL A BREEZE RIGHT HERE.

WHAT IS THIS?

I DON'T KNOW. IT'S A COLD BREEZE.

BUT IT'S REALLY HOT IN THIS ROOM.

DID SOMEBODY KILL YOU, CLAUDE?

ALL RIGHT, WE'RE JUST GETTING READY TO BEGIN OUR INVESTIGATION

AT THE JEROME GRAND HOTEL

AND ALSO THE SECOND HOSPITAL BUILDING JUST DOWN THE HILL.

AND BECAUSE WE HAVE SUCH A BIG LOCKDOWN,

WE'VE CALLED IN SOME HELP.

OUR GOOD FRIEND GARY GALKA

HAS CREATED A LOT OF AWESOME EQUIPMENT FOR US--

THE MEL METERS, THE REAL-TIME E.V.P. RECORDERS,

A LOT OF GREAT STUFF.

AND WHILE WE'RE IN HERE LOCKED DOWN,

WE'VE GOT OUR AUDIOVISUAL TECH BILLY TOLLEY.

HE'S GONNA BE IN HERE WITH CHRIS WHOSE FAMILY OWNS THE BUILDING.

AND YOU GUYS ARE GONNA BE WATCHING US.

(Chris) YEAH.

BILLY'S GOT TWO INFRARED CAMERAS,

ALSO TWO FULL-SPECTRUM CAMERAS THAT ARE GONNA BE RUNNING

ON A 4-CAMERA GRID HERE.

SO, BILLY, IF YOU SEE ANYTHING WHILE WE'RE IN HERE,

CORRESPOND WITH US WITH THOSE WALKIE-TALKIES.

ABSOLUTELY.

INVOLVE CHRIS. SHOW CHRIS WHAT WE'RE DOING HERE.

WE'RE HERE TO ALSO HELP THIS GUY.

ONE LAST THING--WE'VE GOT OUR SHOULDER-MOUNT CAMS.

YOU'RE GONNA SEE WHAT OUR EYEBALLS ARE SEEING.

THIS ISN'T IN INFRARED. THIS IS JUST REGULAR VISION.

SO YOU'RE GONNA SEE THE DARKNESS THAT WE SEE...

WHAT WE GO THROUGH.

AND A LOT OF TIMES, AARON, WE SEE THINGS OUT OF OUR OWN EYES.

WE DO. WE DO.

AND WE DON'T CAPTURE IT ON INFRARED.

AND HOPEFULLY WE CAN CAPTURE IT ON THIS NOW.

AT VARIOUS TIMES YOU'LL SEE WHAT WE'RE SEEING.

(Zak) ALL RIGHT, BILL, WE'RE GONNA GET READY TO LOCK DOWN.

YOU ALL SET IN THERE?

(Billy) Copy that. Let's do it.

(Zak) IT'S DARK RIGHT NOW.

WE'RE JUST GETTING READY TO GET LOCKED DOWN.

AT MIDNIGHT, LET US OUT,

AND THAT'S WHEN WE'RE GONNA BEGIN PART TWO OF OUR LOCKDOWN.

GARY, LET'S DO THIS.

LET'S DO IT.

NICK, AARON, YOU GUYS READY?

HAVE A GOOD ONE, YOU GUYS.

ONE OF THE SUICIDES THAT HAPPENED RIGHT BEYOND THIS DOOR

WAS A MAINTENANCE GUY WHERE IN 1982 HE HUNG HIMSELF.

THE SECOND PART OF OUR LOCKDOWN IS THE BUILDING

JUST DOWN THE HILL, THE OTHER HOSPITAL BUILDING.

ANOTHER MAINTENANCE GUY COMMITTED SUICIDE

JUST A COUPLE OF YEARS AGO.

BUT THE EERIE CONNECTION IS THAT BOTH OF THEM

WERE REVEALING TO OTHER PEOPLE THAT THEY WERE EXPERIENCING

A LOT OF PARANORMAL ACTIVITY BEFORE THEIR DEATHS.

LET'S GET THOSE LIGHTS OFF.

WE HAVE A LOT OF WORK TO DO ON THIS LOCKDOWN.

I'M GONNA RUN A THERMAL CAMERA, WHICH SEES IN TEMPERATURE.

IT'LL ALSO PICK UP THE HOTTEST AND THE COLDEST POINT

WITH THESE LITTLE CROSSHAIRS HERE.

UM, GARY GALKA ACTUALLY CREATED THE REAL-TIME DIGITAL RECORDER

THAT WE USE A LOT.

YOU'RE GONNA BE RUNNING THAT, RIGHT?

FULL-TIME.

OKAY. HE'S GONNA BE LISTENING LIVE THROUGH THOSE EARBUDS.

IF YOU HEAR ANY VOICE THAT'S NOT OURS, SPEAK UP.

I'LL FLAG IT.

I GOT MY FLASHLIGHT ON RIGHT NOW,

BUT IN A SECOND I'M GONNA TURN THIS FLASHLIGHT OFF

AND YOU'RE GONNA SEE WHAT I'M SEEING

THROUGH MY SHOULDER CAM.

THAT'S WHAT I SEE, JUST A WHOLE LOT OF BLACK SPACE.

CLAUDE HARVEY IS HIS NAME, RIGHT, NICK?

(Nick) YEAH, CLAUDE.

THAT'S THE GUY WHO WAS KILLED AT THE ELEVATOR SHAFT.

CLAUDE HARVEY WAS THE MAINTENANCE MAN

WHO DIED IN THIS VERY ROOM

UNDER VERY MYSTERIOUS CIRCUMSTANCES.

YOU IN HERE, CLAUDE?

COME TALK TO US.

(Nick) WATCH OUT FOR--YOUR RIGHT SIDE. YOU'RE GONNA HIT THAT.

IS THIS WHERE THE ELEVATOR IS?

(Gary) THERE'S ONE OF OUR CAMERAS RIGHT THERE

THAT'S HOOKED UP BACK TO THE STATION

WHERE BILLY IS WATCHING.

(Zak) HEY, CLAUDE, IS THIS THE PLACE WHERE YOU PASSED?

WAS IT AN ACCIDENT,

OR WAS THERE FOUL PLAY INVOLVED?

DID SOMEBODY KILL YOU, CLAUDE?

EARLIER I LAID IN THE SAME EXACT SPOT

AND ALMOST HAD THAT ELEVATOR COME DOWN ON ME.

(Nick) GET OUT OF THE WAY.

(Aaron) MOVE! MOVE!

WILL YOU TALK TO US, CLAUDE?

CAN YOU SHOW YOURSELF?

WHOA. WHOA. WHOA. WHOA. WHOA. WHOA. WHOA.

WHAT? WHAT'S UP?

MARK AT 30 MINUTES AND 20 SECONDS.

I SAW SOME MOVEMENT RIGHT THERE. IT WAS REALLY WEIRD.

JUST SHOW WHAT THAT IS RIGHT THERE, THAT BLACK...

IT'S MACHINERY.

THIS WHOLE THING, THIS PIECE OF MACHINERY RIGHT HERE.

YEP.

OKAY, MOVE ALL AROUND, NICK.

I DIDN'T REALLY MOVE THIS FAR, THOUGH.

GO BACK.

I MEAN, THIS IS WHERE I WAS.

AH. IT'S--IT'S A REFLECTION OF YOU, I THINK.

WHAT, OFF THE PUMP?

YEP. THAT--YEP. THAT'S A REFLECTION.

THIS RIGHT HERE WAS--

YEAH, SEE, IT'S SO DUSTY.

YEAH.

I WAS GETTING-- I WAS GETTING YOUR REFLECTION.

RIGHT WHERE MY HAND IS, CLAUDE, IS WHERE YOU DIED.

(distorted voice)

(crashing)

(Zak) WHOA!

HOLY (bleep).

WITH AN ESTIMATED 9,000 DEATHS AT THE JEROME GRAND HOTEL,

OUR INVESTIGATION FOCUSES ON FORMER MAINTENANCE WORKER

CLAUDE HARVEY WHOSE BRUTAL DEATH IN THE ELEVATOR ROOM

LEAVES US SEARCHING FOR MORE ANSWERS.

(Zak) ALL RIGHT, RIGHT NOW

I HAVE MY RECORDER ROLLING RIGHT HERE.

I'M NOT GONNA TOUCH IT. WE'RE GONNA BE ABSOLUTELY STILL.

I'M GONNA SEE IF BY GETTING IN THE ELEVATOR SHAFT

WHERE CLAUDE ACTUALLY DIED

IF THAT WILL MAYBE SPARK SOME ENERGY

AND GET AT HIS ATTENTION.

ALL RIGHT, CLAUDE, I'M GONNA CRAWL DOWN HERE.

OH. (groans)

THE ELEVATOR'S RIGHT ABOVE ME.

AFTER WHAT HAPPENED EARLIER,

I'M NOT REAL COMFORTABLE IN HERE.

CLAUDE, WE TRAVELED REALLY, REALLY FAR,

AND A LOT OF PREPARATION WENT IN FOR US TO BE HERE.

AND WE CAME HERE SPECIFICALLY TO COMMUNICATE WITH YOU

AND TO TRY AND HELP YOU.

RIGHT WHERE MY HAND IS, CLAUDE, IS WHERE YOU DIED.

(Aaron) YOU'RE STANDING WHERE HIS HEAD WOULD BE, TOO.

I KNOW, BUT I...

WE JUST CAPTURED THIS E.V.P.

THAT HAS DISTINCT FEMALE VOICE TONES,

YET NONE OF US WERE HEARING IT WITH OUR OWN EARS,

WHICH IS VERY INDICATIVE OF ELECTRONIC VOICE PHENOMENA.

YOU'RE STANDING WHERE HIS HEAD WOULD BE, TOO.

I KNOW, BUT I...

(distorted woman's voice)

(Nick) CLAUDE, IF YOU'RE HERE,

ZAK, CAN FEEL YOU.

HE'S IN THE ELEVATOR SHAFT RIGHT NOW.

TELL US WHAT YOU WANT.

THE SAME FEMALE VOICE JUST CAME AGAIN,

AND WHAT'S REALLY INTERESTING IS SHE REPEATS

THE SAME FIRST TWO WORDS...

(distorted woman's voice)

AS IF SHE DIDN'T HAVE THE ENERGY

TO COMPLETE THE MESSAGE BEFORE, BUT NOW SHE DOES,

AND NOT ONLY THAT, IT'S VERY CLEAR,

AND THIS SOUNDS LIKE A TRAPPED SPIRIT NEEDING HELP.

TELL US WHAT YOU WANT.

(distorted woman's voice)

ALL RIGHT, WE JUST FINISHED OUR FIRST PART, UH, LOCKDOWN,

OVER THERE AT THE HOTEL.

NOW WE'RE AT THE SECOND PART LOCKDOWN.

THIS IS THE BIG ABANDONED HOSPITAL.

ARE YOU READY TO DO THIS?

LONNIE IS GOING TO BE LOCKED DOWN WITH US

SO WE CAN TRY AND GIVE HIM MORE ANSWERS THAT HE IS SEEKING

ABOUT WHAT LIES INSIDE THE REST OF THE BUILDING

THAT HE COMES TO WORK TO EVERY DAY.

I DON'T VENTURE INTO THE BUILDING TOO OFTEN.

WHY?

IT CREEPS ME OUT.

IT DOES.

YEAH.

RIGHT NOW WE ARE GONNA DO SOMETHING

WE'VE NEVER DONE BEFORE.

WE HAVE EIGHT DIGITAL RECORDERS

THAT ARE ALL THROUGHOUT THE ENTIRE BUILDING,

ALL DOWN TO ONE AUDIO SIGNAL,

AND YOU GUYS ARE GONNA BE LISTENING.

YOU'RE GONNA BE ABLE TO HEAR A MOUSE FART

IN THIS BUILDING.

PRETTY MUCH.

YEAH, FOR SURE.

ALSO, I AM WEARING A JACKET

THAT GARY JUST DESIGNED.

THIS JACKET IS WEARABLE TECHNOLOGY.

IT'S GOT EIGHT DIFFERENT ACCESS OR EIGHT ZONES,

360-DEGREE COVERAGE OF E.M.F...

MM-HMM.

AND IT ALSO DETECTS TEMPERATURE...

ROBO-ZAK.

ROBO-ZAK.

IT'S COLD OUT HERE RIGHT NOW,

BUT ONCE I GET INSIDE THE BUILDING,

I PUSH THIS BUTTON, I BASELINE IT.

WATCH. I'M GONNA MAKE IT HOTTER RIGHT NOW.

WATCH THE RED LIGHTS.

RED INDICATES HOT. BLUE INDICATES COLD.

(exhales)

(beeping)

(Nick) YEP, THEY'RE GOING OFF.

THAT MEANS THAT'S THE HOTTEST.

SO, GUYS, AS I'M WALKING AROUND,

AND IF I FEEL THOSE COLD CHILLS OR GOOSE BUMPS,

LOOK ON MY JACKET TO SEE IF WHAT I'M FEELING

CAN ACTUALLY BE DOCUMENTED BY SOME TYPE OF ENERGY.

IT'S GETTING COLD OUT HERE. LET'S GET INSIDE.

GENTLEMEN, WE'RE ALL COUNTING ON YOU.

(Gary laughs)

(Nick) THIS IS PROBABLY ONE OF THE BIGGEST,

MOST ADVANCED LOCKDOWNS WE'VE EVER DONE.

(Zak) IT IS.

IT'S AWESOME.

AND DON'T FORGET, WE HAVE THIS WHOLE PLACE WIRED.

BILLY AND GARY ARE OUTSIDE IN OUR VAN

LISTENING TO EVERY WORD I'M SAYING RIGHT NOW.

BILLY, GARY, YOU GUYS READY?

HOW DO THINGS SOUND AND LOOK?

(Billy) EVERYTHING SOUNDS GREAT.

YOU DON'T NEED TO USE THE WALKIE-TALKIE,

'CAUSE WE CAN HEAR EVERY WORD.

OH, YEAH, I FORGOT.

(Nick) ZAK.

YEAH?

DO YOU KNOW WHY YOUR LIGHT-- YOUR E.M. FIELDS ARE GOING OFF?

IT'S BECAUSE OF THE WALKIE-TALKIE.

OKAY, THEN I'LL PUT IT DOWN.

YEAH.

PUT THIS ON THE BLANKET.

BUT JUST SHOWING YOU, THAT'S HOW IT WORKS,

THAT ENERGY SPIKED THEM UP.

YOU GUYS READY?

YEP.

ALL RIGHT, RIGHT NOW I'M VERY PUMPED UP FOR THIS.

THIS IS A PLACE THAT HAS A LOT OF DARK--YOU ALL RIGHT?

I'M GOOD.

OKAY. ALL RIGHT. LET'S START.

HERE WE GO.

(Nick) YEAH. KEEP GOING.

(Zak) RIGHT NOW WE'RE GONNA GO ON THE VERY TOP LEVEL.

THIS IS WHERE THE SURGICAL ROOM WAS, RIGHT, LONNIE?

(Lonnie) YEAH.

WHOA.

IS SOMEBODY IN HERE?

(Zak) IF YOU'VE GOT SOMETHING TO SAY,

I'D LIKE FOR YOU TO SAY IT.

(Aaron) THEY'RE RIGHT HERE. IT'S ONE OF OUR INFRARED--

IT'S ONE OF OUR INFRARED DIGITAL STILL CAMERAS.

WE HAVE 'EM KIND OF LIKE EVERYWHERE.

RIGHT NOW THEY'RE ON MOTION--

(crashing)

(Zak) WHOA!

HOLY (bleep).

WHAT WAS THAT?

JUST AN EXPLOSION, LIKE A GUNSHOT.

THIS WAS A BAD, BAD IDEA.

THE COLD IS SURROUNDING MY BODY.

(Zak) OH, MY GOD.

MY WHOLE BODY RIGHT NOW IS COMPLETELY NUMB.

(crashing)

(Zak) WHOA!

(Nick) WHAT THE (bleep) WAS THAT?

HOLY (bleep).

AT THE UNITED VERDE HOSPITAL CLUBHOUSE,

THE STARTLING DOOR SLAM

LEAVES US SEARCHING FOR EXPLANATIONS.

(Aaron) WHAT HAPPENED?

(Zak) BILLY, DID YOU SEE THAT, BILLY?

WE DON'T--WE DON'T SEE ANYTHING, BUT WE HEARD IT.

(Nick) SOMEONE SLAMMED THAT DOOR OVER THERE.

(Zak) YEAH.

AS WE REVIEW OUR FOOTAGE,

WE NOTICE THAT THIS WALL IS OBSTRUCTING THE VIEW

OF THE DOOR SLAMMING SHUT.

(Zak) LONNIE, DID YOU SEE?

I DIDN'T SEE IT, BUT, MAN, IT SLAMMED HARD.

SHOW HOW DARK IT IS, AARON, REALLY QUICK.

(Aaron) HOLD ON. THAT'S HOW DARK IT IS IN HERE.

(Zak) IS SOMEBODY DOWN HERE?

(Nick) THERE'S SOMEONE IN HERE. WE JUST HEARD YOU.

IT SOUNDED LIKE YOU WERE REALLY ANGRY.

WE JUST HEARD A HEAVY DOOR SLAM VIOLENTLY SHUT,

AND AS WE WALK OVER TO INVESTIGATE,

WE IMMEDIATELY DISCOVER THAT THERE IS NO LOGICAL EXPLANATION

FOR THIS EVENT.

(Aaron) ...MOTION.

(Zak) WHOA!

(Nick) WHAT THE (bleep) WAS THAT?

HOLY (bleep).

WHAT WAS THAT?

JUST AN EXPLOSION, LIKE A GUNSHOT.

SOMEONE SLAMMED THAT DOOR OVER THERE.

(Zak) YEAH.

LONNIE.

YEAH.

COME HERE.

(Nick) WATCH YOUR STEP GOING UP, LONNIE.

WHAT DOOR WOULD HAVE SLAMMED?

I CAN'T SEE.

WAIT A MINUTE.

(Zak) THAT ONE?

THAT THING JUST WENT, BAM!

(Aaron) GO OUTSIDE REAL QUICK.

(Zak) YEAH, SHOW 'EM. SHOW 'EM WHAT'S OUTSIDE.

THERE'S NOTHING OUTSIDE.

THIS IS OUTSIDE.

AND THERE IS NO WIND OUTSIDE.

I HAVE A PLASTIC BAG WITH NOTHING IN IT.

SLIGHTEST BREEZE. (blows)

I'M GONNA SHOW YOU RIGHT NOW

THAT THERE IS NOT A BREATH OF WIND OUTSIDE HERE.

(Aaron) NOTHING.

IT DOESN'T SLAM SHUT.

I'M PUSHING IT. IT ACTUALLY COMES BACK.

AS YOU CAN CLEARLY SEE,

EVEN WITH ME USING PHYSICAL FORCE,

THE DOOR WILL NOT SLAM SHUT BY ITSELF.

AND YOU CAN ACTUALLY SEE IT ON CAMERA.

FROM THIS POSITION IT SLAMMED SHUT

WITH...

(Aaron) NO WIND.

NOT A BREATH OF WIND.

(Zak) WHOA!

(Nick) WHAT THE (bleep) WAS THAT?

WHAT DO YOU THINK ABOUT WHAT WE JUST--WHAT JUST HAPPENED?

WELL, THERE'S NO WIND OUTSIDE.

(Zak) THERE IS NONE.

NONE. IT'S SO STILL OUTSIDE. IT'S AMAZING.

AND THAT--THAT SLAM WAS SOME REAL FORCE.

THIS DOOR IS ALSO LOCATED ON THE THIRD FLOOR SEEN HERE.

SO JUST STAND UP HERE, NICK, ON CAMERA.

DON'T MOVE SO EVERYBODY CAN SEE THAT YOU'RE NOT MOVING.

AARON, GO DOWN TO THE MORGUE, STAND THERE ABSOLUTELY STILL.

DON'T EVEN SHUFFLE. DON'T EVEN PLAY WITH YOUR POCKETS.

STAND ABSOLUTELY STILL.

YOU AND I ARE GONNA GO DOWN TO THE SECOND FLOOR,

JUST ME AND YOU,

AND I'M GONNA TAKE AND LEAD THE E.V.P. SESSION.

IF SOMETHING BIG-TIME HAPPENS, SCREAM. YOU READY, LONNIE?

(Lonnie) I'M ALL SET.

THIS IS A BAD, BAD IDEA, BUT... (vibrates lips)

(Nick) WHY DO I HAVE TO STAY UP HERE BY MYSELF?

I ALSO TOOK AARON'S NIGHT VISION CAMERA,

SO RIGHT NOW HE'S IN PURE DARKNESS.

HE CANNOT SEE ANYTHING

AS YOU ABOUT TO SEE THROUGH HIS POINT-OF-VIEW SHOULDER CAM.

(Aaron) ALL RIGHT, BILLY, YOU GUYS, JUST SO YOU KNOW,

I HAVE THE WALKIE IN HERE IN CASE SOMETHING HAPPENS.

(Zak) RIGHT NOW WE'RE GONNA DO A GROUP E.V.P. SESSION

IN THIS HUGE BUILDING,

AND EVERYTHING IS ABSOLUTELY STILL.

MYSELF AND LONNIE ARE HERE ON THE SECOND FLOOR.

UPSTAIRS, WHERE THE DOOR JUST SLAMMED IS NICK.

DOWNSTAIRS IN THE FIRST FLOOR IS AARON IN THE MORGUE

STANDING ABSOLUTELY STILL.

IF YOU WANT TO TALK, NOW'S YOUR TIME TO TALK.

IF THAT WAS YOU THAT SLAMMED THE DOOR UP TOP,

WE JUST LEFT A GUY UP THERE BY HIMSELF.

I KEEP THINKING I'M, LIKE,

SEEING SHADOWS MOVING AROUND HERE.

IT'S JUST CREEPY.

(Aaron) IT FEELS LIKE SOMEONE'S WALKING AROUND.

I CAN FEEL A BUN-- A FEW PRESENCES IN HERE.

USUALLY I'M NOT ALL FEELY AND NOTICE THINGS,

BUT THIS WAS RIGHT AWAY INSTANT.

(Zak) IF YOU'RE LITTLE CHILDREN,

THEN YOU CAME HERE WHEN YOU WERE SICK.

I DON'T WANT YOU TO BE AFRAID OF ME.

I'M NOT YELLING AT YOU.

IF YOU'RE IN THE MORGUE RIGHT NOW,

THERE'S A GUY STANDING IN THERE.

CAN YOU GO UP TO HIM AND GRAB HIM

AND TRY AND PUSH HIM OUT OF HERE?

WHILE WE AREN'T GETTING ANY UNEXPLAINED VOICES

ON OUR RECORDERS,

AARON SEEMS TO BE EXPERIENCING SOMETHING VERY UNCOMFORTABLE.

(Aaron) ARE YOU GUYS CIRCLING AROUND ME,

CHECKING ME OUT RIGHT NOW?

GUYS, I'M HAVING A REALLY BAD, BAD SOMETHING HAPPENING

TO ME RIGHT NOW.

(Zak) COME ON, MAKE A BIG NOISE FOR US.

WHAT DID HE SAY? WHAT, AARON?

(Aaron) COME HERE.

WHAT'S WRONG? COME ON, LONNIE.

I FELT LIKE ALL THESE THINGS WERE SURROUNDING ME.

I GOT TOTAL GOOSE BUMPS, EVERYTHING.

I'M JUST STANDING HERE.

IT'S REALLY BAD IN HERE, DUDE.

(Nick) I'M FREEZING RIGHT NOW.

THE COLD IS SURROUNDING MY BODY.

I CAN FEEL YOU. I KNOW YOU'RE HERE.

(Zak) STAY IN HERE A LITTLE BIT LONGER.

(Aaron) (bleep).

(Billy laughs) STAY IN HERE A LITTLE LONGER.

(Zak) HEY, AARON... (speaking indistinctly)

(Aaron) YES.

I CAN FEEL, LIKE, A CHILL RIGHT HERE.

IF YOU'RE AROUND ME, JUST TOUCH MY JACKET.

IF YOU TOUCH MY JACKET, YOU'LL MAKE ONE OF THOSE LIGHTS APPEAR.

IS THERE SOMEBODY AROUND ME RIGHT NOW?

IS THERE IS, WHAT IS YOUR NAME?

(Aaron) YOU JUST WENT UP DEGREES ON YOUR ARM.

YOUR ARM'S UP TO, LIKE, 3 DEGREES HIGHER.

JEEZ.

DO YOU KNOW LONNIE? COME HERE, LONNIE.

WHAT WAS THE GENTLEMAN'S NAME THAT USED TO WORK HERE?

MICHAEL.

HEY, MICHAEL, I'M ZAK. I KNOW YOU KNOW LONNIE.

MICHAEL WAS THE BUILDING'S MAINTENANCE KEEPER

WHO LONNIE WAS ALSO FRIENDS WITH.

HE COMMITTED SUICIDE ABOUT THREE YEARS AGO.

AND EARLIER LONNIE WAS TELLING US, BEFORE HIS DEATH,

MICHAEL TOLD HIM ABOUT ALL THE GHOSTS HE WOULD SEE.

AND YOU'RE TELLING ME HE WAS SEEING SPIRITS.

HE'S SEEING THINGS, YEAH.

OH, MY GOD.

MY WHOLE BODY RIGHT NOW IS COMPLETELY NUMB.

AM I?

ARE YOU HERE WITH US, MICHAEL?

MICHAEL?

RIGHT NOW I'M FEELING A STATIC-TYPE CHARGE AROUND ME,

AND WHAT'S IRONIC IS THAT THIS LIGHT YOU SEE

REFLECTING OFF THE WALL IS A SENSOR FROM MY JACKET

THAT MAY BE PICKING UP ELECTROMAGNETIC ENERGY,

WHICH GHOSTS ARE SAID TO BE MADE UP OF.

I KNEW YOU WERE RIGHT BEHIND ME JUST NOW.

(thumping)

(Aaron) WHAT THE HELL?

IS NICK MOVING, BILLY?

(Billy) NO, HE'S STANDING STILL.

(Aaron) BOY, THAT WAS LOUD.

LET'S GO UP AND CHECK ON NICK.

(Zak) HEY, NICK.

HEY. WHERE ARE YOU?

NICK?

(Aaron) WHOA. WHOA.

(Nick) WHAT THE HELL IS THAT?

WHAT IS THAT?

I JUST FELT, LIKE, IT WAS-- REALLY WANTED TO DO HARM.

I'M SHOWING YOU ONE OF THE MOST IMPRESSIVE E.V.P.s

THAT WE'VE CAPTURED YET.

AS THE JEROME, ARIZONA, NIGHT ROLLS ON,

WE REGROUP WITH NICK WHO IS MORE THAN A LITTLE SHAKEN.

(Nick) RIGHT HERE.

(Zak) ARE YOU OKAY?

I JUST STARTED FEELING SICK.

I ACTUALLY SAW WITH MY OWN EYES, LIKE, A BLACK MASS

THAT, LIKE, RUSHED IN FRONT OF ME,

AND THEN I FOLLOWED IT RIGHT INTO HERE.

I'M NOT LYING. IT WAS TRYING TO GET ME TO GO UP IN THE ATTIC.

AND I, LIKE, REFUSED BECAUSE I JUST FELT LIKE IT WAS--

REALLY WANTED TO DO HARM. I'M NOT EVEN KIDDING.

WE START HEADING OVER TO THE ATTIC

TO INVESTIGATE WITH OUR THERMAL IMAGING CAMERA,

BUT THIS COLD ENERGY HITS US.

ARE YOU GUYS AS COLD AS I AM? 'CAUSE I'M, LIKE, SHAKING.

YEAH.

(Aaron) IT JUST GOT COLD IN HERE.

MY JACKET'S LIGHTING UP BLUE.

AND I KEPT SAYING...

LOOK IT. LOOK IT. LOOK IT. LOOK IT.

I FEEL--I FEEL THE COLD SURROUNDING MY BODY RIGHT NOW.

I FEEL IT, TOO.

THAT'S WHAT I'M SAYING.

MY JACKET'S PICKING UP ON IT.

I CAN FEEL THAT, TOO, WHEN IT STARTS LIGHTING THAT UP.

WERE YOU TRYING TO LEAVE HIM SOMEWHERE?

THERE IT GOES.

(Nick) ZAK... (speaking indistinctly)

THAT WAS A WEIRD--

I'VE BEEN TO A LOT OF CRAZY LOCATIONS,

AND I DON'T KNOW WHAT IT WAS,

BUT AFTER A WHILE I JUST STARTED...

WHAT'S UP THERE, ZAK?

(Zak) I CAUGHT SOMETHING.

WHAT'D YOU GET?

(coughs) I'M JUST GONNA SHOW YOU RIGHT WHERE I CAUGHT THAT,

SAME SPOT, AND THERE'S NOTHING.

I'M COMING DOWN. COME HERE.

THIS WAS KIND OF A PURPLE BLOTCHY THING

THAT JUST APPEARS AS A MIST IN FRONT OF THE CAMERA,

AND THEN IT JUST, LIKE, WENT AWAY.

COME HERE, LONNIE.

THERE I AM LOOKING OVER. IT'S ALL CLEAR.

NOW WATCH-- HEY, GO BACK THIS WAY.

YOU'LL SEE A PURPLISH FORM.

THERE.

(Nick) WHAT THE HELL IS THAT?

(Aaron) WHOA. WHOA. WHAT IS THAT?

AND THEN IT'S GONE.

WHAT'S REALLY INTERESTING IS THAT WE CAN ACTUALLY SEE

THE ANOMALY MANIFEST ITSELF WITH ENOUGH SUBSTANCE

THAT BLOCKS OUT THE BACKGROUND,

AND THEN WHEN I PAN BACK, IT HAS VANISHED INTO THIN AIR.

(Zak) SO WE'RE ALL DONE.

WE JUST COMPLETED THE LOCKDOWN INSIDE HERE.

WHAT WERE SOME OF THE THINGS THAT HAPPENED TONIGHT

THAT REALLY SHOCKED YOU?

WELL, STUFF THAT I DIDN'T REALLY EXPECT.

I-I DIDN'T EXPECT THINGS

TO BE QUITE AS, UH, LOUD.

(Zak) WHOA! HOLY (bleep).

THEN THE THERMAL CAMERA.

WE FOUND THAT FLOATING BALL...

RIGHT.

THAT TOOK OFF.

THAT WAS WEIRD.

I-I REALLY APPRECIATE YOU GUYS COMING HERE

AND CHECKING OUT THIS BUILDING,

UM, AND IT WAS REALLY FUN TO BE PART OF THE...

YEAH.

PART OF THE EXPERIENCE.

THANKS, LONNIE.

THANK YOU VERY MUCH.

APPRECIATE IT, BUD. OKAY.

ALL RIGHT, BILLY, WHAT ARE YOU SHOWING US?

I'M SHOWING YOU ONE OF THE MOST IMPRESSIVE E.V.P.s

THAT WE'VE CAPTURED YET.

REALLY?

YEAH. IT'S A FULL SENTENCE.

LET'S HEAR IT.

(Zak) TELL US WHAT YOU WANT.

(distorted woman's voice)

WOW.

WOW.

YEAH.

WOW.

THAT'S A CLEAR VOICE.

(distorted woman's voice)

"AND HELP."

YEAH, THAT'S WHAT I HEAR.

WHAT'S EVEN MORE COMPELLING IS IT ANSWERS THE QUESTION

YOU'RE ASKING.

"TELL US WHAT YOU WANT."

AND YOU'RE IN THE ELEVATOR SHAFT, YEAH.

ANSWERS THE QUESTION LIKE THAT.

IT SAYS, "I JUST WANT TO LISTEN AND HELP."

THIS IS...

(distorted woman's voice)

THIS IS ONE OF THE MOST COMPELLING, BEST E.V.P.s

THAT WE HAVE GOTTEN IN A LONG TIME

BECAUSE OF THE TONE,

THE INTELLIGENCE TO YOUR QUESTION...

YEAH, I KNOW.

WHAT SHE'S SAYING.

(distorted woman's voice)

THIS STRAIGHT LINE THAT YOU SEE HERE...

MM-HMM.

IS A LEFT AND RIGHT SIDE.

YEAH, THIS IS US TALKING RIGHT HERE.

TYPICALLY HUMAN SPEECH GOES EQUAL DISTANCES BOTH WAYS,

LEFT AND RIGHT AS YOU TALK.

RIGHT. RIGHT.

LOOK WHAT HAPPENS OVER HERE WHEN SHE'S TALKING.

IT DOESN'T GO LEFT TO RIGHT.

IT GOES DOWN.

IT GOES DOWN.

SHE'S SPEAKING IN A SUB-FREQUENCY,

WHICH IS VERY, VERY TYPICAL OF E.V.P.

RIGHT.

THIS IS AN AMAZING E.V.P. THIS IS WHAT WE GO OUT FOR.

WE DON'T ALWAYS GET THE BEST E.V.P.s LIKE THIS,

BUT WHEN WE DO GET THIS, WE LOVE TO SHOWCASE IT.

UM, GOOD FIND.

JEROME, ARIZONA,

WAS A DOUBLE HEADER FOR US

AS WE INVESTIGATED THE JEROME GRAND HOTEL

AND THE FORMER HOSPITAL CLUBHOUSE.

FIRST, AT THE HOTEL, WE COMMUNICATED WITH A SPIRIT.

(distorted woman's voice)

THEN AT THE CLUBHOUSE, SLAMMING DOORS.

(crashing)

(Zak) WHOA! HOLY (bleep).

AND GHOSTLY ORBS TOLD US THAT WE HAD COMPANY

ALL THROUGH OUR LOCKDOWN.

OUR MISSION IN JEROME IS COMPLETE,

AND WE HOPE THE ALTHERRS AND LONNIE

CAN GAIN SOME MORE CLOSURE.

The Description of Jerome Grand Hotel