- PREVIOUSLY ON HAVEN...
I KNOW THAT PICTURE-- COLORADO KID MURDERER.
SHE LOOKS LIKE YOU.
- YOU KNOW, YOU ALWAYS COME BACK WITH A DIFFERENT NAME,
BUT UNDERNEATH YOU'RE ALWAYS SOMEHOW THE SAME.
- THE FIRST TIME I FELT YOUR TOUCH
WAS THE DAY YOU KISSED ME HERE.
IT WAS SUCH A SMALL THING FOR YOU.
BUT FOR ME, I HADN'T FELT ANYTHING FOR A LONG TIME.
- HELLO, NATHAN. - AUDREY PARKER IS DEAD,
AND A LOT OF PEOPLE WILL BE OUT FOR NATHAN'S HEAD.
I DON'T KNOW IF I CAN STAND IN THERE WITH YOU.
- YOU COULD KILL ME, GET YOUR REVENGE.
GET TO LIVE THE REST OF YOUR LIFE TROUBLED,
OR YOU CAN LET ME LIVE.
I WILL FIND AUDREY. I'LL CONVINCE HER TO KILL ME.
THE TROUBLES WILL END FOREVER.
- WHAT IS THIS PLACE?
AM I DEAD? - YOU'RE VERY MUCH ALIVE.
BUT THIS PLACE, THESE PEOPLE... - THEY'RE NOT REAL.
- I HEARD AUDREY'S VOICE AGAIN. - WHAT'D YOU HEAR?
- SHE WAS TALKING ABOUT BEING TRAPPED
INSIDE A PLACE THAT WASN'T REAL.
- SO YOU THINK AUDREY IS STILL IN THE BARN,
AND IT'S STILL IMPLODING?
- IT'S DYING, AND UNLESS WE MOVE FAST,
IT'S GONNA TAKE YOU WITH IT.
both: NOW I REST MY SLEEPY HEAD
UPON MY SOFT AND COZY BED.
I PRAY THE LORD TO KEEP ME SAFE
AND WATCH ME CLOSE UNTIL I WAKE.
- I LOVE YOU, HARPER.
SLEEP TIGHT.
[child laughing]
- DID YOU MAKE THAT LAUGH?
- NO, IT WAS MY FRIEND.
- WAS IT BELLA OR OSCAR THE CAT?
- NO, IT WAS A NEW ONE.
- WELL, TELL YOUR IMAGINARY FRIEND
IT'S TIME TO GO TO SLEEP.
OKAY.
[child giggling]
- LET'S PLAY A GAME.
- [giggling]
[chair clatters]
[chair clatters]
BYE-BYE.
- RISE AND SHINE, HARPER.
HARPER?
OH, MY GOD. HARPER!
I WENT IN THIS MORNING TO WAKE HER,
AND SHE WAS GONE.
WHOEVER TOOK HER HAD AN AWFUL LAUGH.
HARPER SAID THAT IT WAS JUST HER IMAGINARY FRIEND,
BUT THERE HAD TO BE SOMEONE ELSE IN THERE.
- ARE YOU SURE SOMEONE ENTERED THE HOUSE?
- DO YOU KNOW ANYTHING ABOUT LITTLE GIRLS, CHIEF?
- A LITTLE.
- THEN YOU KNOW NO 4-YEAR-OLD COULD HAVE DONE THAT.
THE KIDNAPPER BUILT THAT
AND THEN PULLED HER UP THE VENT.
- SHE MUST HAVE USED THIS TO OPEN THE GRATE.
- WHAT ARE YOU TALKING ABOUT?
- WE DON'T THINK THERE WAS AN INTRUDER, MA'AM.
YOUR WINDOWS AND DOORS DEAD-BOLT FROM THE INSIDE.
NO ONE GOT IN HERE TO TAKE HER.
- HARPER COULDN'T HAVE DONE THIS.
- MA'AM, SOME PEOPLE HAVE SPECIAL ABILITIES
THAT THEY CAN'T CONTROL.
- THAT MAKE THEM DO THINGS THEY CAN'T NORMALLY DO.
- YOU'RE TALKING ABOUT THE TROUBLES.
WE DON'T HAVE THOSE IN OUR FAMILY.
- DO YOU HAVE SOME RECENT PHOTOS OF HARPER?
- A TROUBLED 4-YEAR-OLD? - YEAH, I KNOW.
WE NEED AUDREY BACK NOW.
- ALL RIGHT, WILLIAM...
WHAT IS THIS BARN THAT I'M SUPPOSEDLY IN?
- IT'S--IT'S A SPACE BETWEEN TWO WORLDS,
AND IT'S BEEN BADLY DAMAGED.
IF YOU DON'T LEAVE SOON, YOU WILL DIE.
- YOU KNOW WHAT? THAT'S EASY FOR YOU TO SAY,
'CAUSE THE LAST TIME I TRIED TO LEAVE,
I JUST WALKED OUT THAT DOOR AND CAME STRAIGHT BACK IN.
- YOU HAVE TO FIND THE REAL DOOR,
THE DOOR THAT LEADS BACK TO HAVEN.
- MM.
WHY DON'T YOU JUST TELL ME WHERE THAT IS?
- I CAN'T.
THE BARN WAS BUILT FOR YOU.
ONLY YOU CAN SEE THROUGH THIS.
- YOU KNOW WHAT I DON'T GET?
I DON'T GET WHY EVERYBODY ELSE DISAPPEARED
AND YOU DIDN'T.
WHO ARE YOU, WILLIAM?
- I WISH I COULD TELL YOU...
BUT I CAN'T.
RIGHT NOW I'M ONLY ALLOWED TO HELP YOU.
SO...
DO YOU WANT TO SEE THE TRUTH?
- YES.
- OKAY.
CLOSE YOUR EYES. TAKE A DEEP BREATH.
CLOSE YOUR EYES.
CLEAR YOUR MIND OF ALL EXPECTATIONS
AND TELL YOURSELF WHEN YOU OPEN YOUR EYES,
YOUR MIND WILL OPEN,
AND THE TRUTH WILL APPEAR BEFORE YOU.
[crackling]
- OH, MY GOD. WHAT'S HAPPENING?
- NOW YOU CAN SEE IT. THE BARN IS DYING.
WE'RE IN ITS FINAL MOMENTS.
- WHAT IF I CAN'T FIND THIS DOOR?
- YOU WILL CEASE TO EXIST.
YOU WILL CEASE TO EXIST.
- AUDREY.
[somber folk music]
- I HATE THIS PLACE.
THE BARN CRUMPLED TO NOTHING.
HOW CAN AUDREY STILL BE INSIDE?
- THE TIME-TRAVELING BARN THAT TURNED TEN SECONDS
INTO SIX MONTHS FOR ME?
THAT BARN?
- SO THERE'S A DOOR?
THERE'S A WAY FOR AUDREY TO GET OUT?
- THAT'S WHAT JENNIFER HEARD,
BUT HER CONNECTION WASN'T GREAT.
I THOUGHT SHE MIGHT DO BETTER OUT HERE.
- THE PLACE WHERE WE LAST SAW THE BARN.
YOU LANDED IN BOSTON.
AUDREY COULD COME OUT OF THAT BARN ANYWHERE.
- YEAH, LET'S HOPE.
JENNIFER SAID...
IF AUDREY DOESN'T COME OUT THAT DOOR...
SHE DIES.
LOOK...
- WHAT ELSE DO YOU HEAR? - NOTHING.
- BACK OFF, OKAY?
- WELL, I NEED HER. I--
- WHAT ARE YOU DOING?
YOU ARE FREAKING HER OUT.
[cell phone rings]
[cell phone beeps]
- YEAH.
- SORRY. I'M NOT GOOD WITH PRESSURE.
- I KNOW. LOOK, YOU'RE DOING GREAT.
JUST TRY TO KEEP LISTENING.
- YEAH, TO THE MAGIC INVISIBLE BARN.
OKAY.
- IT'S OKAY.
WHAT?
- THAT WAS DWIGHT.
A SECOND KID'S GONE MISSING, ANOTHER 4-YEAR-OLD.
BUT AUDREY COULD WALK OUT HERE AT ANY SECOND.
- USUALLY WHEN JENNIFER HEARS AUDREY,
SHE'S BEEN RELAXED.
NOW, GETTING HER TO RELAX IS SOMETHING THAT YOU SUCK AT.
BUT WHAT DON'T YOU SUCK AT?
- SOLVING CASES, FINDING PEOPLE.
- EXACTLY.
SO YOU GO FIND THE KIDS.
I WILL GET HER TO CALM DOWN.
WE WILL FIND AUDREY, AND WE'LL ALL LIVE HAPP--
YOU KNOW WHAT I MEAN.
- GET HER TO HEAR.
- AND BREATHE IN.
[inhales deeply]
AND BREATHE OUT.
YOGA IS ABOUT THE MIND CONTROLLING THE BODY.
THAT'S WHY WE DON'T FEEL THE COLD RIGHT NOW.
- BUT DO YOU REALLY THINK THIS IS GONNA HELP ME
HEAR THINGS? - ABSOLUTELY.
YOU SEE, BY FOCUSING ON YOUR BREATH,
YOU CAN DO ANYTHING.
[groans] OKAY.
- LIKE THIS?
- AH-- - OH.
- ALL RIGHT.
THAT WAS GOOD.
THAT WAS GREAT. - YEAH?
- WHY DON'T WE TRY SOME MEDITATION?
- OKAY.
- OKAY.
- THIS IS REALLY STARTING TO SMELL LIKE A TROUBLE.
SECOND VICTIM IS KENT TOBEL.
SHOPPING WITH HIS DAD OUT AT LAMBERT'S,
THEN HE SNUCK BACK IN THE STOCK ROOM AND BUILT THIS.
CLIMBED IT TO REACH A KEY ON A HOOK.
USED THE KEY TO DISARM THE EMERGENCY-DOOR ALARM.
- ANOTHER ELABORATE ESCAPE PLAN FOR A KID
BARELY OUT OF DIAPERS.
COULD HARPER AND KENT MAYBE HAVE THE SAME
"IMAGINARY FRIEND" TROUBLE? - THEY'RE NOT RELATED...
BUT THEY BOTH GO TO SUNNYSIDE PRESCHOOL.
THAT'S WHERE MY DAUGHTER LIZZIE WENT.
- I BET YOU WERE A GREAT DAD.
- I DIDN'T FIT IN THE TINY DESKS
FOR PARENT-TEACHER DAY TOO WELL.
- YOU FIT PRETTY GOOD IN MINE.
YOU'RE A GOOD CHIEF, DWIGHT.
- THANKS.
- LET'S CHECK THE PRESCHOOL,
SEE WHAT THESE KIDS HAVE IN COMMON.
[computer beeps]
- WE MIGHT NOT NEED TO.
LAMBERT'S JUST EMAILED OVER THEIR SECURITY-CAMERA FOOTAGE.
- THERE'S KENT. [child giggling]
- THAT'S THE LAUGH HARPER'S MOM HEARD.
- LOOK, THAT'S THE DOOR THAT LEADS TO THE STOCK ROOM
AND THE REAR EXIT. [giggling continues]
- DO YOU SEE KENT'S FACE?
IT'S LIKE THE LAUGH CAST A SPELL ON HIM.
ONCE HE HEARS IT, HE CAN'T HELP BUT FOLLOW.
BUT WHERE IS IT COMING FROM?
HEY, CAN YOU GO BACK?
I THOUGHT I CAUGHT A GLIMPSE OF WHOEVER'S BEHIND THAT DOOR.
- WHAT'D HE LOOK LIKE?
- I DON'T KNOW-- SMALL, LIKE A KID, BUT...
HANG ON. ZOOM IN.
MOVE IT TO THE LEFT.
- WOW. I DON'T THINK THAT KID GOES TO SUNNYSIDE.
- OKAY, NOW SIT LIKE THIS.
YOU CAN JUST SIT HOWEVER'S COMFORTABLE.
- OH.
[sighs]
- [sighs] HERE.
THE IDEA IS TO ALLOW YOUR MIND
TO BE AS EMPTY AS THE BOWL.
NOW, CLOSE YOUR EYES...
AND TAKE A DEEP BREATH IN.
[inhales deeply]
- ALL RIGHT, WHAT WAS THAT?
- THAT'S GOOD. OKAY, THAT'S A GOOD SIGN.
THAT MEANS SOMEONE'S LOOKING FOR YOU.
- WHO WOULD BE LOOKING FOR ME?
- YOU'RE MORE IMPORTANT THAN YOU KNOW,
AND YOUR FRIENDS NEED YOU.
- WHAT ELSE DID JENNIFER HEAR?
- JUST THAT AUDREY'S IN THE BARN
AND SHE'S LOOKING FOR A DOOR. - A DOOR?
- DUKE AND JENNIFER ARE ON IT. I NEED YOU IN THE ARCHIVES.
WE THINK THIS 10-YEAR-OLD BOY
IS KIDNAPPING THE MISSING CHILDREN.
- WHAT'S WRONG WITH HIS TEETH?
- THAT'S WHAT I WANT YOU TO FIND OUT.
I GOT TO GET TO THE BRAMBLES.
THEY WERE SEEN HEADED THAT WAY.
- THE BRAMBLES ARE DANGEROUS,
SO STAY IN CLOSE VISUAL CONTACT WITH EACH OTHER.
IF YOU FIND THE KIDS, WRAP THEM UP
IN THE BLANKETS RIGHT AWAY.
GET THEM WARM.
THEY'RE FACING SERIOUS RISK OF HYPOTHERMIA.
LET'S GO.
- DETECTIVE WUORNOS? I'M, UH, CARMEN BROCK.
I'M THE PRINCIPAL OF SUNNYSIDE.
WE ACTUALLY ORGANIZED THE, UH--THE SEARCH.
- OH, GREAT. UH, DID YOU--
DO ANY OF YOUR FAMILIES HAVE, UH, OLDER BROTHERS,
LIKE TEN YEARS OLD?
- YEAH, LOTS OF THEM DO.
WHY? - I'LL NEED A LIST.
BUT COVER YOUR SECTOR FIRST.
WE NEED TO FIND THOSE KIDS. - OKAY.
OKAY.
[indistinct chatter]
[cell phone beeping, line trilling]
- DUKE, HOW'S JENNIFER DOING?
- SHE IS...
FANTASTIC.
YEAH, WE CHARGED HER CHI, ALIGNED HER CHAKRAS.
NOW WE'RE JUST FLUSHING HER BRAIN WITH BLOOD.
- I DON'T THINK THIS IS WORKING.
MY SINUSES ARE EXPLODING.
- I'M COMING OVER. - NO, NO, NO, NO, NO.
COULD YOU JUST HANG ON A SECOND?
YOU ARE DOING GREAT.
JUST...
KEEP HANGING.
HEY, NATHAN, YOU COME HERE, BRING SOME NAILS
FOR AUDREY'S COFFIN, BECAUSE HAVING YOU HERE
IS THE LAST THING THAT JENNIFER NEEDS.
- WELL, YOUR PLAN ISN'T WORKING.
- MAN, WHAT DID YOU THINK--
I WAS GONNA TURN HER INTO A YOGI IN HALF A DAY?
- THEN WHAT THE HELL IS YOUR PLAN?
- HERE'S AN ANALOGY.
JENNIFER'S AT THE FREE-THROW LINE,
ONE SECOND LEFT IN THE BIG GAME.
NOW, IF SHE THINKS ABOUT IT, SHE CHOKES.
SO I AM TRYING TO DISTRACT HER FROM THE PRESSURE,
MAKE HER THINK ABOUT ANYTHING ELSE
EXCEPT WHAT SHE HAS TO DO SO SHE OPENS UP HER MIND.
- AND SHE STARTS TO HEAR.
SMART.
- YES, IT IS.
[cell phone beeps]
OKAY!
[cell phone beeps]
- AUDREY'S STILL IN THAT BARN?
THEN WHAT ARE YOU DOING OUT HERE?
- BECAUSE I'VE GOT MISSING CHILDREN, JORDAN.
- GUARD'S OUT IN FORCE TO FIND THEM.
WE'RE GETTING USED TO CLEANING UP YOUR MESSES.
- 17.
- WHAT? - 17.
THAT'S HOW MANY PEOPLE HAVE DIED
BECAUSE OF THE TROUBLES SINCE I SHOT HOWARD.
THESE TWO KIDS DIE, THAT'S 19--
LIVES, JORDAN, NOT JUST MESSES.
AND I THINK ABOUT THEM WITH EVERY BREATH I TAKE.
SO YOU KNOW WHAT?
I WILL FIND AUDREY.
SHE WILL KILL ME.
THE TROUBLES WILL END.
AND THEN I WON'T HAVE TO THINK ANYMORE
ABOUT ALL THE PAIN THAT I'VE CAUSED THIS TOWN.
[running footsteps approaching]
- WE FOUND FOOTPRINTS. - LET'S GO.
- THE TWO SMALL SETS ARE HARPER AND KENT.
- THEN THERE ARE BIGGER PRINTS--
BAREFOOT, ALL OF THEM.
- I THINK WE'RE LOOKING AT FOUR KIDNAPPERS.
- FOUR TROUBLED 10-YEAR-OLDS?
- AND LOOK CLOSELY AT THE TOES.
- ARE THOSE CLAW MARKS?
- WHERE HAVE YOU BEEN?
I'VE BEEN TO THE ARCHIVES AND FOUND WHAT THE POLICE NEED
WHILE YOU'VE BEEN-- WHERE HAVE YOU BEEN?
- THE ROOM.
I DID SOME READING. - OH, PUT THAT AWAY.
- IT'S THE DOOR, VINCE,
THE ONE THAT AUDREY'S SUPPOSED TO COME OUT OF.
- WHAT ABOUT IT? - IT BOTHERS ME.
- IT BOTHERS YOU? - YEAH.
- WHAT DOESN'T BOTHER YOU, DAVE--
LOUD MUSIC, STARCHY COLLARS,
MRS. PERLMUTTER'S DOG? - SKITTLES IS YAPPY.
- I REST MY CASE.
- NATHAN.
- CAN WE MAKE THIS QUICK, GUYS?
I GOT TO GET BACK TO THE SEARCH.
THE BRAMBLES TURNED UP NOTHING,
AND WE'RE RUNNING OUT OF TIME.
- YES, WELL, MANY CULTURES HAVE TALES
OF CHILDLIKE CREATURES THAT STEAL CHILDREN.
- WE'VE SEEN BEFORE WHERE MYTHS
ARE EXPLANATIONS FOR THE TROUBLES.
- THE CLAWS ARE SPECIFIC, THOUGH,
TO AN AFRO-CARIBBEAN LEGEND CALLED "DOUEN."
DOUENS HAVE CLAWED FEET AND CLAWED HANDS.
THEIR LAUGH ENCHANTS CHILDREN TO RUN AWAY FROM THEIR PARENTS
AND GO DEEP INTO THE WILDERNESS.
- THAT'S WHAT WE'RE DEALING WITH.
SO SOMEONE'S TROUBLE IS CREATING THESE CREATURES.
- YEAH. - NOW, UNFORTUNATELY...
NEWS OF THE MISSING CHILDREN HAS SPREAD ALL OVER TOWN.
EVERY PARENT IN HAVEN HAS THEIR KIDS LOCKED UP TIGHT.
- WELL, THAT MIGHT NOT BE ENOUGH.
IT SAYS HERE DOUENS ARE MASTERS OF DECEPTION.
THEY CAN STEAL AWAY EVEN THE MOST PROTECTED CHILD.
- WHY CAN'T I GO OUTSIDE AND PLAY?
- BECAUSE I SAID SO.
[sighs]
YOU CAN PLAY RACE CAR IF YOU WANT.
- YEAH!
[imitates car motor revving]
- I'M GONNA GO DOUBLE-CHECK THE ALARM SYSTEM.
YOU STAY HERE.
[continues imitating car motor revving]
[child giggling]
BEN, WHAT ARE YOU DOING UP THERE?
[giggling continues]
[beeping, computer voice] BEN'S WINDOW OPEN.
BEN'S WINDOW CLOSED.
- BEN, STOP PLAYING WITH THE WINDOW.
[sighs]
BEN?
[sobbing]
BEN!
NO, NO!
- MASTERS OF DECEPTION.
DOES IT SAY WHAT KIND OF DECEPTION?
- ALL KINDS.
DOUENS ARE PARTICULARLY GOOD AT MISLEADING SEARCH PARTIES.
THEIR VICTIMS ARE NEVER FOUND.
- BUT IF THEY'RE NOT IN THE BRAMBLES--
- THEY COULD BE ANYWHERE.
[child giggling]
[giggling continues]
- I THOUGHT I DID EVERYTHING I COULD.
I KEPT HIM INSIDE.
I-I SET THE ALARM.
- THIS ISN'T YOUR FAULT, VALERIE.
- PLEASE EXCUSE ME.
[sobbing]
- MASTERS OF DECEPTION...
WHICH BASICALLY MEANS WE DON'T HAVE ANY IDEA
WHERE TO LOOK FOR THESE KIDS.
THEY LURE THEIR VICTIMS INTO THE WILDERNESS,
AND THEN THEY'RE NEVER FOUND AGAIN.
THERE'S A LOT OF WILDERNESS AROUND HAVEN.
- AND EASY FOR A KID TO DIE WITH THIS COLD FRONT.
- WE HAVE TO FIND WHOSE TROUBLE
CREATED THE DOUENS IN THE FIRST PLACE,
AND HOPEFULLY THAT NARROWS THE SEARCH.
- WHAT CONNECTS BEN TO HARPER AND KENT?
BEN DOESN'T EVEN GO TO PRESCHOOL.
- WHO KNOWS ALL THREE KIDS?
THE DOUENS TARGETED THESE PARTICULAR CHILDREN.
- UH, BABYSITTER MAYBE, UH, UH, PIANO TEACHER--
THAT SORT OF THING? - AN ART TEACHER.
BEN LIKES TO PAINT.
- BEN LIKES TO GIVE HIS ART TO PEOPLE HE LOVES AS PRESENTS,
BUT I'M HIS ART TEACHER.
THAT ONE'S FOR HIS AUNT.
- AUNT. CAR. MAN.
TO AUNT CARMEN.
IS BEN'S AUNT CARMEN BROCK,
PRINCIPAL OF SUNNYSIDE PRESCHOOL?
- SHE'S MY SISTER.
BEN LOVES HER.
- [breathes deeply]
- AH! - [laughs]
TAKE THAT, DUKE-SAMA-RAMA. DRINK.
- [clears throat] KANPAI.
- [giggles] OKAY, NOW, THIS--
THIS I CAN DO.
- OKAY. [clears throat]
AH.
HERE WE GO.
- YOUR FRIENDS NEED YOU.
- DUKE...
I CAN HEAR.
- YOUR FRIENDS ARE SEARCHING FOR YOU RIGHT NOW.
IT MEANS ONE OF THEM IS SPECIAL.
THEY HAVE A CONNECTION TO THE BARN.
- MY FRIENDS. OH, HEY, FRIEND!
CAN YOU HELP ME FIND THIS DOOR I'M SUPPOSED TO FIND?
- THEY CAN'T HELP YOU WITH YOUR DOOR.
THEY HAVE THEIR OWN TO FIND.
- WAIT. STOP. WAIT.
YOU HAVE TWO DOORS NOW? - YES.
ONE THAT YOU MUST OPEN AND ONE THAT THEY MUST OPEN.
- OH, LIKE ADJOINING MOTEL ROOMS?
- YES, BOTH HAVE TO BE OPEN
FOR YOU TO ESCAPE AND SURVIVE.
I KNEW SOMEONE WOULD BE LOOKING.
YOU ALWAYS HAVE FRIENDS.
IT'S PART OF WHO YOU ARE.
- WE HAVE TO FIND A DOOR.
- I'M SORRY. WHAT? - SHH.
[echoing] I HAVE TO LISTEN.
- LISTENING-- THAT'S NOT A BAD IDEA.
USE YOUR OTHER SENSES. MAYBE THAT CAN HELP YOU.
- OKAY, SO NOW YOU WANT ME TO HEAR A DOOR.
- WOULD THAT BE THE STRANGEST THING
I'VE ASKED YOU TO DO?
- [sighs]
[foghorn blows]
- AH! I LOST IT. THERE'S A FOGHORN OUT THERE.
- LOOK, JUST IGNORE IT.
TELL ME MORE ABOUT THIS DOOR WE NEED TO FIND.
- SHE FINDS ONE, AND WE FIND ONE.
IF WE FAIL, SHE DIES.
- A DOOR TO WHAT? - I'M NOT SURE.
ADJOINING MOTEL ROOMS?
- I'M SORRY? - NOT THAT.
SHH!
[foghorn blows]
I CAN'T. THE FOGHORN IS DISTRACTING ME.
- WAIT A MINUTE.
I DON'T HEAR ANY FOGHORN.
- WHAT DOES THAT MEAN?
- CARMEN BROCK, POLICE! [cell phone beeps]
- CARMEN LEFT THE BRAMBLES AN HOUR AGO.
I'LL CALL FOR A SEARCH WARRANT.
- WELL, LET ME KNOW WHEN YOU GET IT.
CARMEN?
SHE'S NOT HERE.
WHY PUT THE BABY IN THE LIVING ROOM?
- NO DIAPER PAIL.
NO BABY-FOOD SPLATTER. I--
I DON'T THINK THEY HAVE AN ACTUAL BABY.
- THEN WHAT'S ALL THIS STUFF FOR?
- THE POWER OF POSITIVE THINKING?
THEY WANT ONE.
AND LOOK AT THIS.
THEY'VE BEEN TRYING I.V.F. FOR YEARS.
- CARMEN?
HONEY?
- BRAER BROCK?
WE'RE LOOKING FOR YOUR WIFE.
- SO AM I. SHE'S NOT ANSWERING HER PHONE.
WHAT'S GOING ON?
- YOU HEARD ABOUT THE MISSING CHILDREN?
- OF COURSE. BEN'S MY NEPHEW.
WHAT'S THAT GOT TO DO WITH CARMEN?
- YOUR WIFE KNOWS ALL THREE CHILDREN.
WE THINK SHE HAS A TROUBLE. DO YOU KNOW WHAT THAT MEANS?
- YES, BUT I CAN'T BELIEVE CARMEN'S TROUBLED.
AND EVEN IF SHE WAS, SHE WOULDN'T HARM A CHILD.
SHE LOVES CHILDREN.
- BUT YOU DON'T HAVE ANY OF YOUR OWN,
DESPITE A LOT OF TRYING.
- DID SOMETHING HAPPEN RECENTLY?
SOMETHING THAT UPSET HER, MAYBE A FAILED I.V.F. ATTEMPT?
- NO, AS YOU CAN SEE, WE'RE USED TO THOSE.
BUT, YES, CARMEN'S SISTER VALERIE,
BEN'S MOM, SHE TOLD US RECENTLY
THAT SHE'S PREGNANT BY ACCIDENT...
THAT SHE COULD CONCEIVE WITHOUT TRYING
WHILE WE TRY AND TRY,
AND ALL WE HAVE TO SHOW FOR IT IS A MOUNTAIN OF DEBT
AND A PILE OF BABY CRAP COLLECTING DUST IN THE CORNER...
- THAT TRIGGERED HER TROUBLE.
- CARMEN HAS CREATED SOME CREATURES
WHO'VE TAKEN KENT AND BEN AND HARPER.
AND IF WE DON'T FIND THEM SOON, THEY'RE GONNA DIE.
- THOSE ARE HER THREE FAVORITE CHILDREN.
- WELL, MAYBE BECAUSE SHE CAN'T HAVE KIDS,
HER TROUBLE IS TRYING TO DEPRIVE OTHERS OF THEIRS.
- NO, YOU'RE WRONG! I MEAN, IF SHE'S NOT HERE,
IT'S 'CAUSE SHE'S GONNA FIND THOSE KIDS.
AND THAT'S IT. SHE'S GONNA BRING THEM HOME.
all: RING AROUND THE ROSIE
POCKET FULL OF POSIES
ASHES, ASHES
WE ALL FALL DOWN
[laughter]
- HARPER?
HARPER.
OH, MY GOD. YOU'RE SO COLD.
OH, MY GOD.
- IT'S COLD.
I WANT MY MOMMY.
- OH, MY GOD.
- I WANT TO GO HOME. - I GOT TO GET YOU GUYS HOME.
COME ON, COME ON.
[child giggling]
HARPER, DO YOU WANT TO REST?
OKAY, YOU REST.
LET'S PLAY.
COME ON.
all: RING AROUND THE ROSIE
POCKET FULL OF POSIES
ASHES...
- THAT'S A CHILD...
WITH CLAWS? - A DOUEN.
PROBABLY TOOK HER TO MEET WITH HER KIDS.
- TROUBLES WORK ON EMOTIONS,
SO IT'S LIKELY A PLACE YOUR WIFE
FEELS HER BABY ENVY DEEPEST.
- CARMEN WOULD NEVER HARM A CHILD.
SHE WAS BUILT TO BE A MOTHER, OKAY?
- OKAY, MAYBE SHE ISN'T HARMING THEM.
MAYBE THE DOUENS ARE ASSEMBLING A FAMILY FOR HER.
- THAT'S GOT TO BE IT.
- WHERE WOULD CARMEN BE HAPPIEST WITH KIDS?
- THERE'S A CLEARING IN THE CHATHAM WOODS
WHERE I PROPOSED TO HER.
- ALL RIGHT, WE'LL FOLLOW YOU. [cell phone beeping]
- WHAT MADE YOU SWITCH THEORIES SO QUICK?
- CALL IT A HUNCH.
DUKE, WHAT'S JENNIFER HEARD?
- LOTS OF GOOD STUFF. - WE HAVE TO FIND A--
- DUKE, ARE YOU THERE?
- YEAH, COULD YOU JUST HANG ON A SECOND, PLEASE?
YOU'VE MET NATHAN. - YEAH.
- NOW, DO YOU THINK WE REALLY WANT HIM TO KNOW
THAT IF WE DON'T FIND THE DOOR THAT AUDREY DIES?
- PROBABLY NOT. - PROBABLY NOT.
NATHAN, FIND THE KIDS. WE'RE DOING GREAT.
- OKAY, I'LL CALL YOU BACK.
[siren wails]
- WE'RE DOING GREAT. [cell phone beeps]
SON OF A BITCH.
THE FOGHORN.
- WHAT? - THE FOGHORN.
I THOUGHT I COULDN'T HEAR IT BECAUSE I'M USED TO THEM.
BUT WHAT IF ONLY YOU CAN HEAR IT
BECAUSE IT'S COMING THROUGH THE BARN?
- WHY WOULD THE BARN PLAY A FOGHORN?
- NO, NO, NO, NO, NO, NO, NO.
NOT FROM THE BARN, THROUGH THE BARN.
LOOK, I'M SAYING THE BARN IS LOCATED
NEAR A REAL-WORLD FOGHORN.
OKAY, JUST NOW I COULD HEAR A POLICE SIREN
COMING THROUGH NATHAN'S PHONE.
ONE WAY TO FIND NATHAN
WOULD BE TO FIND THE ACTUAL SIREN.
- FIND THE FOGHORN, FIND THE DOOR.
- FIND THE FOGHORN, FIND THE DOOR.
- GREAT. HOW?
- I NEED MY CHARTS.
CHARTS.
[foghorn blows]
- LISTEN TO THE FOGHORN,
AND REMEMBER...
IT WILL HELP YOU FIND THE DOOR.
- IT'S COMING FROM OVER HERE.
[foghorn blows]
IT'S HERE.
[foghorn blows]
[gasps]
- WELL DONE.
- ALL RIGHT, NOW WHAT?
- OPEN IT. - OPEN IT?
- MM-HMM. - ALL RIGHT.
[door creaking]
- NOW...
WHAT? WHAT IS IT?
- I THINK SHE OPENED HER DOOR.
- NOT ALREADY!
- OH, MY--
all: RING AROUND THE ROSIE
POCKET FULL OF POSIES
ASHES, ASHES
WE ALL FALL
DOWN!
[children giggling]
- LEAVE HER ALONE. SHE'S RESTING.
- IT'S SEVERE HYPOTHERMIA.
SHE'LL DIE IF WE DON'T GET HER TO A HOSPITAL.
AH!
- [growling]
- NATHAN, GET KENT.
[all growling, snarling]
- WHAT ARE YOU DOING? - THEY'RE TOO FAST TO HIT.
THOSE CLAWS CAN SEVER ARTERIES.
WE CAN'T SAVE THOSE KIDS IF WE'RE DEAD.
- WHAT DO WE DO NOW?
- YOU LIED TO ME.
THERE'S NOTHING THROUGH THERE.
THAT GOES NOWHERE.
- WHAT YOU'RE SEEING IS A BARRIER BETWEEN TWO WORLDS.
IT'S NOT A SPACE THAT YOU CAN INHABIT,
BUT IT'S NOT ENDLESS. YOU CAN CROSS IT.
- WHAT? NO. NO WAY.
UH-UH. - YOU CAN DO THIS.
- HOW AM I SUPPOSED TO DO THAT?
- YOU MAKE A LEAP OF FAITH.
[all growling and snarling]
- MY WIFE-- THIS TROUBLE'S MADE HER CRAZY.
- DID YOU NOTICE THE DOUENS DIDN'T ATTACK YOU?
THIS ISN'T CARMEN'S TROUBLE, BRAER.
IT'S YOURS.
- THEY DIDN'T ATTACK YOU BECAUSE YOU CREATED THEM.
- THAT'S ABSURD.
- CARMEN'S PLAYING THE PROTECTIVE MOTHER
BECAUSE SHE'S UNDER THEIR SPELL, WHICH IS JUST WHAT YOU WANT.
- I DON'T WANT ANY OF THIS.
- YOU PROMISED HER A FAMILY
WHEN YOU PROPOSED TO HER RIGHT HERE ON THIS SPOT.
THAT'S THE FANTASY THE DOUENS ARE CARRYING OUT FOR YOU.
- IT'S CARMEN WHO CAN'T ACCEPT BEING CHILDLESS.
I'VE ACCEPTED IT.
- BUT YOU HAVEN'T ACCEPTED THE FACT
THAT IT'S YOUR FAULT.
I.V.F. FILES SAY THERE'S NOTHING WRONG WITH CARMEN.
- THOSE TESTS COULD HAVE BEEN WRONG!
- LOOK, I GET IT.
YOU'RE MARRIED TO A WOMAN
WHO'S BUILT TO HAVE CHILDREN, BUT SHE CAN'T HAVE THEM.
I LOST A SON.
I MIGHT EVEN BE RESPONSIBLE FOR HIS DEATH.
BUT DENYING THAT IT'S MY FAULT DOESN'T HELP.
ALL I CAN DO IS MOVE ON.
YOU GOT TO DO THE SAME, OR THOSE KIDS ARE GONNA DIE.
- NATHAN.
- PLEASE...
YOU HAVE TO FACE THE TRUTH.
- IT'S MY FAULT.
IT'S MY FAULT.
[crying]
IT'S MY FAULT.
[children giggling]
- HEY, HEY. - WHAT HAPPENED?
- YOUR HUSBAND JUST DECIDED IT'S TIME TO ADOPT.
- YOU'RE GONNA BE OKAY.
- [crying]
- DO WE KNOW IF MY FRIENDS HAVE OPENED UP THEIR DOOR
ON THE OTHER SIDE?
- I DON'T KNOW.
- YOU WANT ME TO JUMP, AND WE DON'T EVEN KNOW
IF I'M GONNA LIVE OR DIE?
- I GUESS THAT'S WHY THEY CALL IT A LEAP OF FAITH.
- IT'S NOT HIS FAULT, REALLY. IT'S A BIOLOGICAL PROBLEM.
- BRAER DIDN'T SEE IT THAT WAY, AND I CAN SEE WHY.
IS IT MY FAULT THAT MY DAUGHTER INHERITED MY TROUBLE?
PROBABLY NOT, BUT I BLAME MYSELF FOR HER DEATH.
IF YOU KNEW IT WAS HIS TROUBLE,
WHY DIDN'T YOU TALK HIM DOWN BACK AT THE HOUSE?
- WE HAD MISSING KIDS.
I DIDN'T WANT TO STOP FOR ANYTHING.
I GOT TO GO.
- GOOD LUCK.
[cell phone beeping, line trilling]
- YEAH? - DUKE, DID YOU FIND ANYTHING?
- YEAH.
I-I WOULD SAY YES, WE DID.
JUST GET DOWN HERE.
NATHAN'S ON HIS WAY,
AND I'M STILL NOT SEEING THE DOOR.
TELL ME I DIDN'T JUST LIE TO HIM.
- IT'S RIGHT HERE, DUKE. I'M STARING RIGHT AT IT.
- IS IT OPEN? - IT'S CLOSED.
- IF WE DON'T OPEN IT, AUDREY DIES.
- I KNOW. I'M TRYING. IT WON'T BUDGE.
- NATHAN'S GONNA HATE THIS.
- PULL HARDER OR SOMETHING.
- IT WON'T OPEN, NATHAN,
I THINK BECAUSE AUDREY CLOSED HER DOOR ON HER SIDE AGAIN.
- WHAT DO YOU MEAN SHE CLOSED HER DOOR?
WHAT, DID SHE CHANGE HER MIND? IS SHE NOT COMING?
- I DON'T KNOW! STOP YELLING AT ME.
- NATHAN, THAT'S ENOUGH.
LOOK, WE FOUND THE DOOR, OKAY?
SHE'S GONNA COME OUT ANY MINUTE. WE JUST--
HOW THE HELL DID THEY FIND US?
- WE FOLLOWED YOU, NATHAN,
IN CASE YOU GOT COLD FEET.
GIVE ME YOUR GUN. - NO WAY.
NATHAN, DON'T DO THIS.
- YOU DON'T GET A SAY IN THIS, CROCKER.
HE MADE A DEAL. - YOU SHUT UP. NATHAN.
NATHAN, LISTEN.
- DUKE...
LET HIM GO. WE'RE DOING THIS.
I'M DOING THIS.
- THANKS. - A LEAP OF FAITH.
LEAP OF FAITH. RIGHT.
- SHE'S OPENING HER DOOR.
- OKAY.
OKAY. ALL RIGHT.
- I CAN'T OPEN IT.
- MAYBE IT HAS TO BE ME.
- NO ONE'S OPENING THAT DOOR!
- WE HAVE TO OPEN IT, OR AUDREY WILL DIE.
- DAVE, PUT THE GUN DOWN.
I TRIED TO STOP HIM, BUT HE'S GOT SOME CRAZY NOTION
IN HIS HEAD FROM READING THE ARCHIVES.
- IT'S NOT CRAZY.
OPENING THAT DOOR COULD UNLEASH POWERS
FAR BEYOND OUR CONTROL.
- SO YOU, UM...
YOU WANT TO GO FIRST?
- I'M NOT COMING.
- WHY NOT?
- THIS IS A JOURNEY ONLY YOU CAN MAKE.
DON'T WORRY. WE'LL ALL BE FINE.
AND I'M SURE WE'LL MEET AGAIN.
- I HOPE SO.
- WE HAVE TO OPEN IT, OR AUDREY DIES.
- I KNOW, NATHAN. I'M SORRY.
BUT I-I PROMISE YOU, IT'S A SMALL PRICE TO PAY--
[electricity crackles]
- WHEN AUDREY COMES OUT, I'LL START THROWING PUNCHES,
GIVE YOU GUYS A HEAD START.
- NO. THE TROUBLES END NOW.
GO ON.
- YOU KNOW, YOU KEPT SAYING THAT I'M NOT WHO I THINK I AM.
IF I MAKE IT TO THE OTHER SIDE...
WHO WILL I BE?
- WHOEVER YOU MOST WANT TO BE.
- AUDREY!
AUDREY!
[all groaning]
- NO.
AUDREY?
AUDREY.
HEY.
YOU MADE IT.
- HI.
- HI.
- WHAT ARE YOU DOING?
- THE TROUBLES HAVEN'T ENDED.
I KNOW WHAT HOWARD TOLD YOU.
KILLING ME IS THE ONLY WAY NOW.
PLEASE.
PLEASE, AUDREY.
- I'M NOT KILLING ANYONE...
CERTAINLY NOT SOMEONE I'VE NEVER MET BEFORE.
- WHAT?
- AND WHO IS AUDREY?
MY NAME IS LEXIE.
